Private eye Philip Marlowe and his bride move to a desert town, where he uncovers a land scheme.
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| Sound | Michael Small | Original Music Composer |
| Writing | Tom Stoppard | Screenplay |
| Editing | Steven Cohen | Editor |
| Directing | Bob Rafelson | Director |
| Writing | Raymond Chandler | Novel |
| Writing | Robert B. Parker | Novel |
| Camera | Stuart Dryburgh | Director of Photography |
| Art | Mark Friedberg | Production Design |
| Production | Elaine J. Huzzar | Casting |
| Production | Sydney Pollack | Executive Producer |
| Production | Jordan Kerner | Executive Producer |
| Production | Tony Mark | Producer |
| Production | William Horberg | Executive Producer |
| Costume & Make-Up | David W. King | Costumer |
| Production | Geoff Stier | Co-Executive Producer |
| Production | Jon Avnet | Executive Producer |
| Production | Johanna Ray | Casting |
| Directing | Tommy Thompson | First Assistant Director |
| Sound | Kevin Kubota | Utility Sound |
| Lighting | James Plannette | Gaffer |
| Crew | Mark S. Hoerr | Post Production Supervisor |
| Sound | Tim Tuchrello | Assistant Sound Editor |
| Production | Sue Jett | Production Supervisor |
| Costume & Make-Up | Jene Fielder | Makeup Artist |
| Production | Justin Healy | Assistant Location Manager |
| Sound | Richard E. Yawn | Supervising Sound Editor |
| Sound | Dustin van Baalbergen | Apprentice Sound Editor |
| Sound | Dean St. John | ADR Mixer |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
| Production | Ashley Stepp | Extras Casting |
| Art | Susan A. Burig | Graphic Designer |
| Art | Domenic Silvestri | Set Designer |
| Art | Courtney Jackson | Assistant Property Master |
| Camera | Ronald Batzdorff | Still Photographer |
| Sound | Christopher O'Donnell | Boom Operator |
| Camera | Jerry L. Marshall | Grip |
| Lighting | Dhamarata Dhiensuwana | Key Rigging Grip |
| Costume & Make-Up | Lynda Gurasich | Hair Department Head |
| Art | Kristen Toscano Messina | Set Decoration |
| Art | Stephen J. Readmond | Set Dresser |
| Art | Easton Michael Smith | Set Designer |
| Sound | Donald L. Warner Jr. | Sound Editor |
| Sound | John Richards | Scoring Mixer |
| Production | Linda 'Sam' Glynn | Assistant Location Manager |
| Art | Patrick Lees | Leadman |
| Art | Rhonda Marshall | Set Dresser |
| Art | Jonathan R. Hodges | Property Master |
| Sound | Glenn Hoskinson | Sound Editor |
| Sound | Bruce Fortune | Sound Editor |
| Crew | Simone Boisseree | Stunts |
| Camera | Ted Morris | Camera Operator |
| Camera | Max Neal | Second Assistant Camera |
| Camera | Loren Corl | Key Grip |
| Directing | Kate Lewis | Script Supervisor |
| Art | Scott Plauche | Art Direction |
| Production | Steve Sandoval | Production Coordinator |
| Sound | Steve Mann | Sound Editor |
| Sound | Gary Blufer | Sound Effects |
| Crew | Gwynn Turnbull Weaver | Stunts |
| Camera | Jason Poteet | Grip |
| Lighting | Ivan H. Migel | Rigging Grip |
| Costume & Make-Up | Alison Hirsch | Wardrobe Supervisor |
| Costume & Make-Up | David Ferry | Costumer |
| Sound | Brian Best | Sound Editor |
| Sound | Dean St. John | Foley Mixer |
| Sound | Stan Jones | Music Editor |
| Sound | P.J. Bloom | Music Coordinator |
| Art | Garson Yu | Title Designer |
| Crew | Erik Kleven | Stunts |
| Crew | Julie Wagner | Stunts |
| Directing | Mark Hansson | Second Assistant Director |
| Costume & Make-Up | Ruben D. Calderon | Set Costumer |
| Production | Tony Gore | Post Production Coordinator |
| Sound | Casey J. Crabtree | Foley Artist |
| Production | Leigh French | ADR Voice Casting |
| Camera | Brian W. Nordheim | First Assistant Camera |
| Lighting | Willing Buckingham III | Rigging Grip |
| Sound | Brian Harman | Sound Recordist |
| Camera | Ed Dally | Camera Loader |
| Costume & Make-Up | Lisa A. Doyle | Set Costumer |
| Art | Billy Baker | Set Dresser |
| Art | Michael Cutler | Set Dresser |
| Sound | Anthony Milch | Sound Editor |
| Sound | Grover B. Helsley | Sound Re-Recording Mixer |
| Crew | Joe D. Ramsey | Special Effects Coordinator |
| Crew | Todd Jensen | Special Effects Technician |
| Editing | Robert LaRossa | Color Timer |
| Production | Tony Mark | Unit Production Manager |
| Costume & Make-Up | Melinda Eshelman | Costume Designer |
| Lighting | Rick A. Benedetto | Rigging Gaffer |
| Camera | Jamie Lagerhausen | Best Boy Grip |
| Costume & Make-Up | Enid Arias | Key Hair Stylist |
| Art | Sheri von Seeburg | Art Department Coordinator |
| Sound | Mike Crabtree | Foley Artist |
| Production | Mary Jane Fendler | Casting Associate |
| Crew | Carl Paoli | Stunt Double |
| Sound | Ed Novick | Sound Mixer |
| Lighting | Michael F. Pierre | Electrician |
| Costume & Make-Up | Jane Galli | Key Makeup Artist |
| Editing | Paul Martinez | First Assistant Editor |
| Production | Diane Ward | Assistant Production Coordinator |
| Production | Lee A. Miles | Extras Casting |
| Crew | Walter Scott | Stunt Coordinator |
| Camera | Scott McGeo | Grip |
| Sound | Kim Secrist | Foley Editor |
| Art | Chris Garr | Construction Coordinator |
| Art | Rob Rudas | Set Dresser |
| Sound | Evyen Klean | Music Supervisor |
| Camera | Andreas Crawford | Dolly Grip |
| Costume & Make-Up | Felicity Bowring | Makeup Department Head |
| Costume & Make-Up | Alix Friedberg | Assistant Costume Designer |
| Directing | Carla Brand Breitner | Second Second Assistant Director |
| Sound | Joe Bosco | ADR Recordist |
| Crew | David Rowden | Stunts |
| Crew | Max Kleven | Stunts |
| Lighting | Rick A. Benedetto | Best Boy Electric |
| Lighting | Chris L. Wielkiewicz | Electrician |
| Production | Tim Hillman | Location Manager |
| Sound | Zack Davis | Supervising ADR Editor |
| Sound | James Bailey | Foley Artist |
| Sound | Robert L. Harman | Sound Re-Recording Mixer |
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