During a routine prison work detail, convict Piper is chained to Dodge, a cyberhacker, when gunfire breaks out. Apparently, the attack is related to stolen money that the Mafia is after, and some computer files that somebody wants desperately to bury. The pair, who don't exactly enjoy each other's company, escape and must work together if they are to reach Atlanta alive. Luckily, they meet a woman who may be willing to help them.
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Writing | Preston A. Whitmore II | Writer |
Directing | Kevin Hooks | Director |
Crew | Jennifer Badger | Stunts |
Crew | Kenny Endoso | Stunts |
Crew | Simone Boisseree | Stunts |
Crew | Tim Trella | Stunts |
Crew | Randi Layne | Stunts |
Production | Cathy Sandrich Gelfond | Casting |
Costume & Make-Up | Jennifer Bryan | Costume Design |
Costume & Make-Up | Lynn Barber | Key Makeup Artist |
Production | Vikki Williams | Associate Producer |
Editing | Joseph Gutowski | Editor |
Costume & Make-Up | Bill 'Splat' Johnson | Special Effects Makeup Artist |
Editing | Richard Nord | Editor |
Production | Frank Mancuso Jr. | Producer |
Production | Amanda Mackey | Casting |
Costume & Make-Up | Philip Ivey | Key Hair Stylist |
Sound | Graeme Revell | Original Music Composer |
Art | Charles William Breen | Art Direction |
Art | Katie Pinholster | Set Decoration |
Art | Charles C. Bennett | Production Design |
Camera | Matthew F. Leonetti | Director of Photography |
Costume & Make-Up | Jeffrey A. Rubis | Assistant Hairstylist |
Art | Mary Stacy | Set Decoration |
Costume & Make-Up | Stacye P. Branche | Makeup & Hair |
Production | Preston A. Whitmore II | Executive Producer |
Sound | Michael D. Wilhoit | Supervising Sound Editor |
Sound | Scott Millan | Sound Re-Recording Mixer |
Directing | Renate Schneuer | Script Supervisor |
Camera | Michael P. Weinstein | Still Photographer |
Directing | John Hockridge | First Assistant Director |
Production | Frank Bodo | Unit Production Manager |
Directing | Joseph J. Kontra | Second Assistant Director |
Camera | C. Alan Rawlins Sr. | Key Grip |
Lighting | Pat Blymyer | Chief Lighting Technician |
Camera | Riko Schatke | Best Boy Grip |
Camera | C. Ashley Sudge | Dolly Grip |
Sound | Brad Sherman | Sound Re-Recording Mixer |
Sound | Barney Cabral | ADR Supervisor |
Sound | Mark Hollingsworth | ADR Editor |
Production | Barbara Harris | ADR Voice Casting |
Sound | Mark R. La Pointe | Dialogue Editor |
Sound | Linda Lew | Foley Recordist |
Sound | Craig S. Jaeger | Foley Editor |
Sound | John T. Cucci | Foley Artist |
Art | Cheree Welsh | Art Department Coordinator |
Sound | Philip A. Hess | Foley Editor |
Sound | Dan O'Connell | Foley Artist |
Art | Frank Blair | Property Master |
Sound | Lauren Stephens | Dialogue Editor |
Editing | Gary Burritt | Negative Cutter |
Sound | James Ashwill | Foley Mixer |
Production | Mike Riley | Location Manager |
Sound | Clayton Collins | Dialogue Editor |
Sound | Mark Gordon | Foley Editor |
Sound | Norto Sepulveda | ADR Editor |
Sound | Bill Fibben | Boom Operator |
Editing | Dennis McNeill | Color Timer |
Sound | Joshua Winget | Music Editor |
Crew | Tommy J. Huff | Stunts |
Crew | Henry Kingi Jr. | Stunts |
Crew | Troy Gilbert | Stunts |
Crew | Glenn R. Wilder | Stunts |
Crew | Henry Kingi | Stunts |
Crew | Lance Gilbert | Stunt Double |
Directing | Mic Rodgers | Second Unit Director |
Crew | Manny Perry | Stunts |
Crew | John C. Meier | Stunt Coordinator |
Crew | Carol Martin Vines | Stunts |
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