A New York sculptor who opens a wax museum to showcase the likenesses of famous historical figures runs into trouble with his business partner, who demands that the exhibits become more extreme in order to increase profits.
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Directing | André de Toth | Director |
Writing | Crane Wilbur | Screenplay |
Writing | Charles Belden | Story |
Sound | Charles Lang | Sound |
Sound | Maurice De Packh | Orchestrator |
Directing | James McMahon | Assistant Director |
Production | Joe Dreier | Associate Producer |
Camera | Robert Burks | Other |
Editing | James Kitchen | Editor |
Art | Red Turner | Props |
Art | Donald P. Desmond | Set Decoration |
Crew | Julian Gunzburg | Visual Effects Design Consultant |
Crew | Charles Horvath | Stunts |
Crew | Paul Stader | Stunts |
Camera | Jack Woods | Still Photographer |
Editing | Janet Wilson | Colorist |
Editing | Jean-Pierre Steimer | Assistant Editor |
Visual Effects | Milton Gunzburg | 3D Supervisor |
Visual Effects | Lothrop B. Worth | 3D Generalist |
Crew | Fritz Ford | Stand In |
Art | Kathryn Stuberg | Sculptor |
Production | Bryan Foy | Producer |
Sound | David Buttolph | Original Music Composer |
Camera | Bert Glennon | Director of Photography |
Camera | J. Peverell Marley | Director of Photography |
Editing | Rudi Fehr | Editor |
Art | Stanley Fleischer | Art Direction |
Art | Lyle B. Reifsnider | Set Decoration |
Costume & Make-Up | Howard Shoup | Costume Design |
Costume & Make-Up | Gordon Bau | Makeup Artist |
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