Danny Fisher, young delinquent, flunks out of high school. He quits his job as a busboy in a nightclub, and one night he gets the chance to perform. Success is imminent and the local crime boss Maxie Fields wants to hire him to perform at his night club The Blue Shade. Danny refuses, but Fields won't take no for an answer.
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Directing | Michael Curtiz | Director |
Writing | Harold Robbins | Novel |
Camera | Russell Harlan | Director of Photography |
Writing | Michael V. Gazzo | Screenplay |
Writing | Herbert Baker | Screenplay |
Editing | Warren Low | Editor |
Crew | Tom Parker | Technical Advisor |
Costume & Make-Up | Jack Stone | Makeup Artist |
Sound | Harold Lewis | Sound |
Production | Hal B. Wallis | Producer |
Art | Frank R. McKelvy | Set Decoration |
Sound | Charles Grenzbach | Sound |
Sound | Walter Scharf | Original Music Composer |
Sound | R.D. Cook | Sound |
Art | Sam Comer | Set Decoration |
Costume & Make-Up | Nellie Manley | Hairstylist |
Production | Richard Blaydon | Unit Production Manager |
Costume & Make-Up | Hedy Mjorud | Hairstylist |
Production | Joseph H. Hazen | Producer |
Production | Bert McKay | Casting |
Art | J. McMillan Johnson | Art Direction |
Costume & Make-Up | Frank Westmore | Makeup Artist |
Directing | Michael D. Moore | Assistant Director |
Production | Paul Nathan | Associate Producer |
Costume & Make-Up | Wally Westmore | Makeup Artist |
Production | Frank Caffey | Production Manager |
Art | Hal Pereira | Art Direction |
Art | Robert McCrellis | Props |
Directing | Ralph Axness | Second Assistant Director |
Lighting | Bill Neff | Gaffer |
Costume & Make-Up | Edith Head | Costumer |
Editing | Matt McFarland | Colorist |
Crew | Norman Stuart | Dialogue Coach |
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