Danny Fisher, young delinquent, flunks out of high school. He quits his job as a busboy in a nightclub, and one night he gets the chance to perform. Success is imminent and the local crime boss Maxie Fields wants to hire him to perform at his night club The Blue Shade. Danny refuses, but Fields won't take no for an answer.
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Directing | Michael Curtiz | Director |
Writing | Herbert Baker | Screenplay |
Writing | Harold Robbins | Novel |
Camera | Russell Harlan | Director of Photography |
Writing | Michael V. Gazzo | Screenplay |
Editing | Warren Low | Editor |
Crew | Tom Parker | Technical Advisor |
Production | Paul Nathan | Associate Producer |
Production | Joseph H. Hazen | Producer |
Art | Hal Pereira | Art Direction |
Production | Bert McKay | Casting |
Costume & Make-Up | Jack Stone | Makeup Artist |
Production | Richard Blaydon | Unit Production Manager |
Production | Hal B. Wallis | Producer |
Sound | Walter Scharf | Original Music Composer |
Art | J. McMillan Johnson | Art Direction |
Sound | Charles Grenzbach | Sound |
Costume & Make-Up | Wally Westmore | Makeup Artist |
Production | Frank Caffey | Production Manager |
Art | Frank R. McKelvy | Set Decoration |
Directing | Michael D. Moore | Assistant Director |
Costume & Make-Up | Frank Westmore | Makeup Artist |
Sound | R.D. Cook | Sound |
Costume & Make-Up | Hedy Mjorud | Hairstylist |
Sound | Harold Lewis | Sound |
Art | Sam Comer | Set Decoration |
Costume & Make-Up | Nellie Manley | Hairstylist |
Art | Robert McCrellis | Props |
Directing | Ralph Axness | Second Assistant Director |
Lighting | Bill Neff | Gaffer |
Crew | Norman Stuart | Dialogue Coach |
Costume & Make-Up | Edith Head | Costumer |
Editing | Matt McFarland | Colorist |
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