Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash.
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| Directing | Joseph H. Lewis | Director |
| Writing | MacKinlay Kantor | Screenplay |
| Writing | Dalton Trumbo | Screenplay |
| Writing | Millard Kaufman | Screenplay |
| Production | Frank King | Producer |
| Production | Maurice King | Producer |
| Camera | Russell Harlan | Director of Photography |
| Editing | Harry Gerstad | Editor |
| Sound | Victor Young | Original Music Composer |
| Art | Gordon Wiles | Production Design |
| Art | Raymond Boltz Jr. | Set Decoration |
| Sound | Stuart Frye | Music Editor |
| Writing | MacKinlay Kantor | Story |
| Sound | Tom Lambert | Sound Engineer |
| Crew | Herman King | Technical Advisor |
| Costume & Make-Up | Carla Hadley | Hairstylist |
| Crew | Lew Morphy | Stand In |
| Crew | Dale Van Sickel | Stunts |
| Lighting | Lloyd Garnell | Gaffer |
| Camera | Eddie Jones | Still Photographer |
| Camera | Harry Lewis | Grip |
| Crew | Al J. Jennings | Technical Advisor |
| Costume & Make-Up | Norma Koch | Costume Design |
| Production | Allen K. Wood | Production Manager |
| Directing | Frank Heath | Assistant Director |
| Sound | Sidney Cutner | Orchestrator |
| Sound | Leo Shuken | Orchestrator |
| Directing | Jack Herzberg | Continuity |
| Production | Arthur Gardner | Producer's Assistant |
| Crew | Madeleine Robinson | Dialogue Coach |
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