Wondering what has happened to herself, now feeling stagnant and in a rut, Shirley Valentine finds herself regularly talking to the wall while preparing her husband's chips and egg. When her best friend wins a trip-for-two to Greece Shirley begins to see the world, and herself, in a different light.
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Directing | Lewis Gilbert | Director |
Writing | Marilyn Bergman | Lyricist |
Sound | Marvin Hamlisch | Songs |
Writing | Alan Bergman | Lyricist |
Production | Lewis Gilbert | Producer |
Production | John Dark | Executive Producer |
Writing | Willy Russell | Screenplay |
Production | Allan Foenander | Casting |
Sound | Willy Russell | Original Music Composer |
Art | John Stoll | Production Design |
Editing | Lesley Walker | Editor |
Costume & Make-Up | Candy Paterson | Costume Design |
Camera | Alan Hume | Director of Photography |
Production | Haris Kontorouhas | Unit Manager |
Production | Roy Stevens | Production Supervisor |
Sound | Gerry Humphreys | Sound Mixer |
Costume & Make-Up | Basil Newall | Makeup Supervisor |
Crew | Steven Sallybanks | Scenic Artist |
Production | Lorraine Fennell | Production Coordinator |
Directing | Stephen Gilbert | Second Unit Director |
Sound | Jonathan Bates | Sound Editor |
Art | Vernon Harris | Storyboard Artist |
Camera | Bob Penn | Still Photographer |
Costume & Make-Up | Cynthea Dowling | Wardrobe Master |
Sound | Harry Rabinowitz | Music Supervisor |
Costume & Make-Up | Lois Burwell | Makeup Artist |
Camera | Sean Connor | Clapper Loader |
Directing | Ann Edwards | Script Supervisor |
Art | John Allenby | Property Master |
Sound | David Pearson | Boom Operator |
Directing | Kieron Phipps | Second Assistant Director |
Sound | Roy Charman | Sound Editor |
Visual Effects | Garth Inns | Special Effects Supervisor |
Camera | Martin Hume | Camera Operator |
Directing | Mishka Cheyko | Assistant Director |
Lighting | Dennis Brock | Gaffer |
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