Charles Lindbergh struggles to finance and design an airplane that will make his 1927 New York to Paris flight the first solo trans-Atlantic crossing.
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Directing | Billy Wilder | Director |
Camera | Robert Burks | Director of Photography |
Camera | J. Peverell Marley | Director of Photography |
Writing | Charles A. Lindbergh | Novel |
Writing | Wendell Mayes | Screenplay |
Sound | Franz Waxman | Original Music Composer |
Production | Leland Hayward | Producer |
Writing | Billy Wilder | Screenplay |
Writing | Charles Lederer | Adaptation |
Visual Effects | Louis Lichtenfield | Visual Effects |
Art | Art Loel | Art Direction |
Art | William L. Kuehl | Set Decoration |
Editing | Arthur P. Schmidt | Editor |
Crew | Hal Needham | Stunts |
Sound | Harold Fisher | Sound Editor |
Crew | Hans F. Koenekamp | Special Effects |
Sound | Irvin Jay | Sound Editor |
Sound | Monty Pearce | Sound Editor |
Costume & Make-Up | Gordon Bau | Makeup Supervisor |
Crew | Louis Lichtenfield | Special Effects |
Lighting | Frank Flanagan | Gaffer |
Sound | Ross Owen | Sound Recordist |
Costume & Make-Up | Robert Ewing | Makeup Artist |
Sound | T.A. Carman | Sound Mixer |
Directing | George Vieira | Second Unit Director |
Costume & Make-Up | Ann Locker | Hairdresser |
Costume & Make-Up | Connie Nichols | Hairdresser |
Directing | Charles C. Coleman | Assistant Director |
Directing | Don Alvarado | Assistant Director |
Directing | James A. Rosenberger | Second Assistant Director |
Crew | Ted Mapes | Stunts |
Production | Billy Wilder | Producer |
Sound | M.A. Merrick | Sound |
Sound | Don Olson | Sound Editor |
Crew | Wally Honn | Special Effects |
Camera | Bert Eason | Aerial Camera |
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