In 1800, as Napoleon Bonaparte rises to power in France, a rivalry erupts between Armand and Gabriel, two lieutenants in the French Army, over a perceived insult. For over a decade, they engage in a series of duels amidst larger conflicts, including the failed French invasion of Russia in 1812, and shifts in the political and social systems of Europe.
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Production | David Puttnam | Producer |
Directing | Ridley Scott | Director |
Writing | Gerald Vaughan-Hughes | Screenplay |
Production | Mary Selway | Casting |
Costume & Make-Up | Tom Rand | Costume Design |
Production | Ivor Powell | Associate Producer |
Art | Peter J. Hampton | Production Design |
Editing | Pamela Power | Editor |
Art | Bryan Graves | Art Direction |
Camera | Frank Tidy | Director of Photography |
Sound | Howard Blake | Original Music Composer |
Camera | Hugh Johnson | Clapper Loader |
Directing | Patricia Eberhard | Second Assistant Director |
Editing | Roy Burge | Assistant Editor |
Art | Mike Fowlie | Property Master |
Sound | Derrick Leather | Sound Mixer |
Crew | Richard Graydon | Stunts |
Editing | Michael Bradsell | Supervising Editor |
Sound | Bill Burgess | Boom Operator |
Directing | Peter Kohn | Third Assistant Director |
Camera | Ray Hall | Grip |
Sound | Terry Rawlings | ADR Editor |
Directing | David Wimbury | Second Assistant Director |
Costume & Make-Up | Paul Nix | Hairstylist |
Art | Ann Mollo | Set Dresser |
Art | Mike Dempsey | Title Designer |
Costume & Make-Up | Elaine Carew | Assistant Makeup Artist |
Directing | Terry Marcel | First Assistant Director |
Editing | Les Healey | Assistant Editor |
Crew | William Hobbs | Fight Choreographer |
Art | John Lanzer | Property Buyer |
Editing | Peter Hollywood | Assistant Editor |
Costume & Make-Up | Sheila Thomas | Assistant Hairstylist |
Costume & Make-Up | Sue Barradell | Makeup Supervisor |
Writing | Joseph Conrad | Story |
Production | Lily van Rijs | Casting |
Production | Guilhaine Cosse | Production Secretary |
Art | Pat Hughes | Dressing Prop |
Camera | Steve Barron | Clapper Loader |
Art | Mickey Pugh | Props |
Production | Olga Farel | Location Manager |
Sound | Howard Blake | Conductor |
Lighting | Al Watson | Gaffer |
Crew | Brian Higgins | Carpenter |
Crew | John Burgess | Special Effects |
Crew | Tito Tomassini | Weapons Master |
Art | Clinton Cavers | Location Scout |
Costume & Make-Up | James Wakely | Wardrobe Master |
Art | Arthur Wicks | Dressing Prop |
Sound | Hugh Strain | ADR Mixer |
Production | Peter Jaques | Production Manager |
Sound | John Richards | Music Editor |
Art | Ted Stickley | Props |
Art | Maria Dumas | Art Department Assistant |
Art | John Hogan | Dressing Prop |
Sound | Joe Ryan | Sound Recordist |
Costume & Make-Up | Rita Wakely | Wardrobe Master |
Production | Jean-François Villemer | Location Assistant |
Directing | Melinda Rees | Continuity |
Directing | Kay Fenton | Continuity |
Production | Paul Cadiou | Production Accountant |
Art | Steve Lincoln | Runner Art Department |
Crew | Con Lewis | Driver |
Production | Sean O'Brien | Assistant Accountant |
Production | Lynda Smith | Production Secretary |
Production | Carolyn Pfeiffer | Associate Producer |
Art | Matthew Binns | Runner Art Department |
Production | Gil Mead | Production Assistant |
Production | Nicole Miloux | Assistant Accountant |
Art | Les Benson | Dressing Prop |
Camera | David Appleby | Still Photographer |
Camera | Adrian Biddle | Focus Puller |
Camera | Ridley Scott | Camera Operator |
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