John Hall is a drifter who wanders into a small town in Maine. He needs a job and decides to seek employment at the community's top business: a large textile mill. He is hired to work the "graveyard shift" -- from around midnight to dawn -- and, along with a few others, he is charged with cleaning out the basement. This task strikes the workers as simple enough, but then, as they proceed deeper underground, they encounter an unspeakable monstrosity intent on devouring them all.
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| Directing | Ralph S. Singleton | Director |
| Writing | John Esposito | Screenplay |
| Crew | Greg Elam | Stunts |
| Production | Diane Foti | Unit Production Manager |
| Camera | Rusty Geller | Camera Operator |
| Sound | Jeffrey Blynder | Boom Operator |
| Sound | Howard Neiman | Foley Supervisor |
| Sound | Ron Bedrosian | ADR Engineer |
| Art | Gershon Ginsburg | Assistant Art Director |
| Camera | Beth Cotter | Second Assistant Camera |
| Crew | David Gaines | Post Production Supervisor |
| Sound | Richard Corwin | Dialogue Editor |
| Sound | Richard Corwin | ADR Editor |
| Sound | Grover B. Helsley | Sound Re-Recording Mixer |
| Camera | Toris Von Wolfe | Still Photographer |
| Production | William Hassell | Unit Production Manager |
| Art | Rhonda Hardwick | Assistant Set Decoration |
| Camera | Kent P. Hughes | Second Assistant Camera |
| Sound | Jon Johnson | Sound Effects |
| Sound | Harry Harris | Dialogue Editor |
| Sound | Christopher Kennedy | Music Editor |
| Directing | Barry K. Thomas | First Assistant Director |
| Sound | Hank Brodkin | ADR Editor |
| Sound | Jerry Trent | Foley Artist |
| Crew | Randy Fife | Stunt Coordinator |
| Directing | Mark Cotone | Second Assistant Director |
| Sound | Bernie Blynder | Sound Mixer |
| Sound | Harry Harris | ADR Editor |
| Sound | Doug E. Turner | Sound Re-Recording Mixer |
| Crew | Carl Ciarfalio | Stunts |
| Directing | Peter Chesney | Second Unit Director |
| Camera | Gary Baum | First Assistant Camera |
| Crew | Kerrie Cullen | Stunts |
| Editing | Karen Dale Greene | Assistant Editor |
| Sound | Howard Neiman | ADR Supervisor |
| Sound | Audrey Trent | Foley Artist |
| Directing | Lynne Twentyman | Script Supervisor |
| Crew | Cliff McLaughlin | Stunts |
| Editing | Amy Shorr | Assistant Editor |
| Crew | Michael Adams | Stunts |
| Sound | Frank A. Montaño | Sound Re-Recording Mixer |
| Directing | John G. Scotti | Second Unit First Assistant Director |
| Sound | Hank Brodkin | Dialogue Editor |
| Production | Laura Butterworth | Local Casting |
| Costume & Make-Up | Candy Walker | Hairstylist |
| Camera | Tony Cutrono | Second Unit Director of Photography |
| Costume & Make-Up | June Brickman | Key Makeup Artist |
| Costume & Make-Up | Donna King | Costumer |
| Costume & Make-Up | Karen Blynder | Makeup Artist |
| Costume & Make-Up | Angela Hajianis | Costumer |
| Sound | Anthony Marinelli | Original Music Composer |
| Sound | Brian Banks | Original Music Composer |
| Camera | Peter Stein | Director of Photography |
| Art | Jack Jennings | Art Direction |
| Art | Gary Wissner | Production Design |
| Editing | Randy Jon Morgan | Editor |
| Production | Ralph S. Singleton | Producer |
| Production | Sharon Bialy | Casting |
| Costume & Make-Up | Sarah Lemire | Costume Design |
| Production | Bonnie Sugar | Executive Producer |
| Editing | Jim Gross | Editor |
| Production | Mary Margiotta | Casting |
| Production | Larry Sugar | Executive Producer |
| Production | William J. Dunn | Producer |
| Production | Anthony Labonte | Associate Producer |
| Production | Joan Singleton | Associate Producer |
| Production | Richard Pagano | Casting |
| Art | George R. Nelson | Set Decoration |
| Writing | Stephen King | Short Story |
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