An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches.
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Directing | Henry Koster | Director |
Writing | Leonardo Bercovici | Screenplay |
Production | Samuel Goldwyn | Producer |
Writing | Robert E. Sherwood | Screenplay |
Writing | Robert Nathan | Novel |
Art | George Jenkins | Art Direction |
Art | Perry Ferguson | Art Direction |
Costume & Make-Up | Robert Stephanoff | Makeup Artist |
Editing | Monica Collingwood | Editor |
Camera | Gregg Toland | Director of Photography |
Costume & Make-Up | Irene Sharaff | Costume Design |
Art | Julia Heron | Set Decoration |
Costume & Make-Up | Adrian | Costume Design |
Costume & Make-Up | Marie Clark | Hairstylist |
Crew | Charles Brackett | Additional Writing |
Directing | Joseph Boyle | Assistant Director |
Art | Dorothea Holt | Other |
Crew | Harry Redmond Jr. | Special Effects |
Crew | Billy Wilder | Additional Writing |
Production | Leon Fromkess | Executive In Charge Of Production |
Sound | Hugo Friedhofer | Original Music Composer |
Production | Raoul Pagel | Production Manager |
Camera | Bert Shipman | Camera Operator |
Directing | Sam Freedle | Script Supervisor |
Lighting | Vic Jones | Gaffer |
Camera | Hal McAlpin | Still Photographer |
Sound | Fred Lau | Sound Recordist |
Sound | Emil Newman | Music Director |
Sound | Charles Henderson | Music Director |
Sound | Jerome Moross | Orchestrator |
Crew | John P. Fulton | Special Effects |
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