An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches.
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Production | Samuel Goldwyn | Producer |
Writing | Robert Nathan | Novel |
Writing | Leonardo Bercovici | Screenplay |
Writing | Robert E. Sherwood | Screenplay |
Directing | Henry Koster | Director |
Costume & Make-Up | Adrian | Costume Design |
Costume & Make-Up | Marie Clark | Hairstylist |
Costume & Make-Up | Irene Sharaff | Costume Design |
Costume & Make-Up | Robert Stephanoff | Makeup Artist |
Art | Julia Heron | Set Decoration |
Editing | Monica Collingwood | Editor |
Camera | Gregg Toland | Director of Photography |
Art | Perry Ferguson | Art Direction |
Art | George Jenkins | Art Direction |
Crew | Charles Brackett | Additional Writing |
Crew | Harry Redmond Jr. | Special Effects |
Crew | Billy Wilder | Additional Writing |
Production | Leon Fromkess | Executive In Charge Of Production |
Art | Dorothea Holt | Other |
Directing | Joseph Boyle | Assistant Director |
Sound | Hugo Friedhofer | Original Music Composer |
Production | Raoul Pagel | Production Manager |
Camera | Bert Shipman | Camera Operator |
Directing | Sam Freedle | Script Supervisor |
Camera | Hal McAlpin | Still Photographer |
Lighting | Vic Jones | Gaffer |
Sound | Fred Lau | Sound Recordist |
Sound | Jerome Moross | Orchestrator |
Crew | John P. Fulton | Special Effects |
Sound | Charles Henderson | Music Director |
Sound | Emil Newman | Music Director |
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