Larnell and Luanne travel to South America in search of an antidote to the deranged effects caused by taking hits off of the malevolent Evil Bong.
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| Production | Thomas Smead | Executive Producer |
| Production | Charles Band | Producer |
| Production | Dana Kenton Harrloe | Executive Producer |
| Production | Michael Padula | Casting |
| Directing | Charles Band | Director |
| Costume & Make-Up | E. Dee Biddlecome | Costume Design |
| Production | Dan Golden | Co-Producer |
| Writing | Charles Band | Story |
| Writing | Domonic Muir | Screenplay |
| Costume & Make-Up | Jeffrey S. Farley | Prosthetic Supervisor |
| Production | Danny Draven | Consulting Producer |
| Production | Dana K. Harrloe | Executive Producer |
| Editing | Danny Draven | Editor |
| Costume & Make-Up | Ayla Dew | Makeup Artist |
| Writing | Domonic Muir | Story |
| Costume & Make-Up | Brandon Bernard | Set Costumer |
| Visual Effects | Juan Patricio | Visual Effects Supervisor |
| Sound | Mike Hostettler | Boom Operator |
| Production | Gregory Paul Smith | Production Assistant |
| Directing | Steve Goldenberg | Second Assistant Director |
| Sound | Andrew Braswell | Sound Mixer |
| Visual Effects | Jeffrey S. Farley | Special Effects Supervisor |
| Editing | Ryan Dallion | Online Editor |
| Production | Joe Walser | Production Designer |
| Lighting | Micah Zarlow | Best Boy Electric |
| Camera | Carla Wennermark | First Assistant Camera |
| Sound | Ziggy Landfair | Music Editor |
| Lighting | Andre Prikazazchikov | Best Boy Electric |
| Crew | Wayne Roadie | Craft Service |
| Crew | Carolyn Gordon | Catering |
| Camera | Gino Musfed | Best Boy Grip |
| Editing | Henry Gordon Jago | Lead Editor |
| Costume & Make-Up | Brandon | Wardrobe Assistant |
| Crew | Lewis Vendredi | Post Production Supervisor |
| Editing | Micki Foster | Assistant Editor |
| Crew | Glen Miller | Craft Service |
| Art | Darran Tse | Swing |
| Camera | Terrance Ryker | Director of Photography |
| Lighting | James Lawrence Spencer | Gaffer |
| Crew | Jeffrey S. Farley | Special Effects |
| Art | Joe Walser | Production Design |
| Camera | Harry Hope | Key Grip |
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