CIA agent Harry Wargrave is sent to aid Gen. Marenkov, a senior Russian official, who is defecting to the west. Wargrave decides they should travel to safety on a train across Europe, the "Atlantic Express". During the journey, they must survive attacks by terrorists and an avalanche, all planned by Russian spy-catcher Nikolai Bunin.
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Sound | Allyn Ferguson | Original Music Composer |
Camera | Jack Cardiff | Director of Photography |
Editing | Garth Craven | Editor |
Writing | Abraham Polonsky | Screenplay |
Directing | Mark Robson | Director |
Writing | Colin Forbes | Novel |
Production | Mark Robson | Producer |
Crew | John Dykstra | Special Effects |
Production | Willy Egger | Production Manager |
Crew | Jeannie Epper | Stunts |
Camera | Federico Del Zoppo | Additional Photography |
Crew | Howard A. Anderson | Special Effects |
Editing | Monte Hellman | Editor |
Art | Elke Etzold | Set Decoration |
Costume & Make-Up | Mickey Sherrard | Costume Design |
Art | Travis Nixon | Set Decoration |
Production | Jack English | Location Manager |
Production | Lynn Guthrie | Associate Producer |
Art | Fred Tuch | Production Design |
Costume & Make-Up | Ago von Sperl | Makeup Artist |
Costume & Make-Up | Rüdiger von Sperl | Makeup Artist |
Production | Harry Caplan | Unit Production Manager |
Production | Rudolf Geiger | Production Supervisor |
Production | Lynn Guthrie | Production Manager |
Production | Peter Naguschewski | Second Unit Location Manager |
Production | Stefan Zürcher | Production Manager |
Directing | Don French | Second Assistant Director |
Directing | Alan Gibbs | Assistant Director |
Directing | Wieland Liebske | Assistant Director |
Directing | Jon Paré | Second Assistant Director |
Directing | Gerald Walsh | Assistant Director |
Art | Ralph Aubert | Property Master |
Art | Sam Gordon | Property Master |
Art | Ed Graves | Art Direction |
Art | Eberhard Schwartz | Property Buyer |
Sound | Wayne Artman | Sound Re-Recording Mixer |
Sound | Tom Beckert | Sound Re-Recording Mixer |
Sound | Fred J. Brown | Sound Effects |
Sound | Michael Jiron | Sound Re-Recording Mixer |
Sound | Charlie McFadden | Boom Operator |
Sound | Michele Sharp | Sound Effects |
Sound | George Stephenson | Sound Mixer |
Sound | Caryl Wickman | Sound Effects |
Crew | Jeff Clifford | Special Effects |
Crew | Peter Dawson | Special Effects |
Crew | Ross Hahn | Special Effects |
Crew | Richard O. Helmer | Special Effects |
Crew | Bill Nipper | Special Effects Assistant |
Crew | Kevin Pike | Special Effects |
Crew | Dragomir Stanojević | Special Effects |
Crew | Kit West | Special Effects |
Crew | Wayne Beauchamp | Special Effects Coordinator |
Crew | Karl-Heinz Bochnig | Special Effects |
Crew | Ted Koerner | Special Effects |
Crew | Tom Lupo | Stunt Coordinator |
Crew | Miomir Radević 'Pigi' | Stunts |
Crew | Dragomir Stanojević | Stunts |
Crew | Jack Cooper | Stunt Coordinator |
Crew | Jean Coulter | Stunts |
Crew | Richard Epper | Stunts |
Crew | Dean Raphael Ferrandini | Stunts |
Crew | Dorothy Ford | Stunts |
Crew | Whitey Hughes | Stunts |
Crew | Tom Lupo | Stunts |
Camera | Howard A. Anderson III | Director of Photography |
Camera | Terry Bowen | First Assistant Camera |
Lighting | Brink Brydon | Gaffer |
Camera | John Cardiff | Assistant Camera |
Camera | Dick Deats | Grip |
Camera | Jerry Deats | Grip |
Lighting | Frank Heeney | Gaffer |
Camera | W.C. 'Chunky' Huse | Grip |
Camera | Alec Mills | Camera Operator |
Camera | Barry Peake | Still Photographer |
Camera | Miki Thomas | Assistant Camera |
Camera | Michael Waldleitner | Clapper Loader |
Camera | Federico Del Zoppo | Assistant Camera |
Production | Renate Arbes | Casting |
Costume & Make-Up | Anton Eder | Wardrobe Master |
Costume & Make-Up | Friedel Schröder | Wardrobe Master |
Directing | Angela Allen | Script Supervisor |
Directing | Betty Levin | Script Supervisor |
Directing | Trudy von Trotha | Script Supervisor |
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