This melodrama investigates the life of a sex worker, in a pseudo-documentary style.
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| Directing | Ken Russell | Director |
| Art | Naomi Shohan | Art Direction |
| Production | Michael D. Pariser | Line Producer |
| Production | Mark Amin | Executive Producer |
| Production | Dan Ireland | Producer |
| Editing | Brian Tagg | Editor |
| Production | Joseph Akerman | Executive In Charge Of Production |
| Writing | David Hines | Theatre Play |
| Sound | Michael Gibbs | Original Music Composer |
| Writing | Ken Russell | Screenplay |
| Production | Linda Francis | Casting |
| Art | Richard B. Lewis | Production Design |
| Costume & Make-Up | Leonard Pollack | Costume Design |
| Writing | Deborah Dalton | Screenplay |
| Production | Ronaldo Vasconcellos | Producer |
| Camera | Anthony F. Balderrama | First Assistant Camera |
| Camera | Donald Burghardt | Second Assistant Camera |
| Sound | Steve Day | Boom Operator |
| Directing | Jan McWilliams | Script Supervisor |
| Costume & Make-Up | Rebekah Alvi | Wardrobe Assistant |
| Camera | Marsha Blackburn | Still Photographer |
| Directing | Robin Leigh Fleck | Second Second Assistant Director |
| Costume & Make-Up | Gail McMullen | Assistant Costume Designer |
| Lighting | John Zumpano | Gaffer |
| Costume & Make-Up | Ron Wild | Key Makeup Artist |
| Directing | Deborah A. Dell'Amico | First Assistant Director |
| Camera | Ken Russell | Camera Operator |
| Art | Blanche Sindelar | Property Master |
| Art | Philip Steuer | Property Master |
| Camera | Alex Nepomniaschy | Additional Photography |
| Art | Amy Wells | Set Decoration |
| Camera | Mark Shane Davis | Key Grip |
| Directing | Kate Lewis | Script Supervisor |
| Lighting | Kenny Christiansen | Best Boy Electric |
| Lighting | Sergio Pirojnikov | Electrician |
| Lighting | Matthew May | Electrician |
| Camera | Tony Mazzucchi | Best Boy Grip |
| Production | Betsy Danbury | Production Accountant |
| Sound | Thomas Brandau | Sound Mixer |
| Production | Michael D. Pariser | Unit Production Manager |
| Production | Sharon Morov | Production Coordinator |
| Production | Randall M. Boyd | Assistant Production Coordinator |
| Costume & Make-Up | Carlos David Amador | Makeup Artist |
| Lighting | David Salamone | Electrician |
| Directing | Aaron Barsky | First Assistant Director |
| Directing | Janet Van Etten | Second Assistant Director |
| Costume & Make-Up | Carlos David Amador | Hairstylist |
| Production | Alison Sellin | Assistant Accountant |
| Camera | Amy Laakman-Davis | Grip |
| Art | David Hollen | Set Dresser |
| Crew | Jeff Smolek | Stunt Coordinator |
| Sound | Kevin Benson | Music Supervisor |
| Camera | Robert J. Studenny | Grip |
| Sound | Clive A. Mitchison | ADR Supervisor |
| Production | Scott Whited | Production Assistant |
| Art | Eden Banas | Assistant Property Master |
| Sound | Michael Hopkins | Dialogue Editor |
| Crew | Pat Jackson | Transportation Coordinator |
| Crew | Dana Dru Evenson | Stunt Double |
| Production | Vanessa G. Bardliving | Production Assistant |
| Art | Dan Whifler | Construction Coordinator |
| Camera | Levon Besnelian | Dolly Grip |
| Camera | Billy Pierson | Dolly Grip |
| Camera | Louis Cicero | Grip |
| Sound | Donald Zuckerman | Music Supervisor |
| Camera | Matt Mania | Grip |
| Sound | Nigel Galt | Sound Editor |
| Camera | Kevin 'Rambo' Fitzgerald | Grip |
| Art | Norman West | Set Dresser |
| Crew | Bruce Edward Smith | Transportation Captain |
| Sound | Craig Clark | ADR Supervisor |
| Editing | Steven M. Buono | First Assistant Editor |
| Art | Ray Maxwell | Leadman |
| Sound | Brian Tagg | Music Editor |
| Production | Tom Gianakopoulos | Production Assistant |
| Camera | Amir Mokri | Director of Photography |
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