James Conners comes home to the town of Legend, New Mexico in 1865 to avenge his fathers death against the ruthless Will Tunney. Along the way he re-captures his long lost love Mary Cooper. With the chance to take Will Tunney he must choose revenge or redemption.
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| Writing | Peter Vanderwall | Screenplay |
| Directing | Dean Alioto | Director |
| Writing | Dean Alioto | Screenplay |
| Writing | Brad Goodman | Screenplay |
| Sound | Manuel Mendoza | Sound Effects Editor |
| Sound | Gregor Narholz | Original Music Composer |
| Costume & Make-Up | Lexx Staats | Key Makeup Artist |
| Production | Joel David Moore | Executive Producer |
| Editing | Dean Alioto | Editor |
| Production | Justin Ament | Producer |
| Costume & Make-Up | Lauren Ernsdorf | Key Hair Stylist |
| Directing | Billy Greenfield | First Assistant Director |
| Art | Travis Zariwny | Production Design |
| Costume & Make-Up | Jed Dornoff | Makeup Artist |
| Production | Patrick Stapleton | Unit Production Manager |
| Art | Melanie Rein | Art Direction |
| Writing | Justin Ament | Story |
| Camera | Andrew Huebscher | Director of Photography |
| Production | Rick August Goeckel | Associate Producer |
| Art | Christian Ramirez | Property Master |
| Sound | Hidefumi Aoki | Sound Effects Editor |
| Production | Billy DaMota | Casting |
| Costume & Make-Up | Judy Staats | Makeup Department Head |
| Production | Patrick Stapleton | Line Producer |
| Production | Jeremy Boreing | Executive Producer |
| Production | Bruce Ament | Executive Producer |
| Directing | Matt G. Sheets | Second Assistant Director |
| Costume & Make-Up | Chantal Filson | Costume Design |
| Sound | John W. Rampey | Foley Recordist |
| Sound | Burnie Neal | Boom Operator |
| Sound | Brad Whitcanack | Sound Effects Editor |
| Lighting | Greg Capp | Assistant Chief Lighting Technician |
| Camera | Michael Brian Hart | Steadicam Operator |
| Sound | Leobardo Ledon | ADR & Dubbing |
| Sound | G.W. Pope III | Sound Designer |
| Crew | Marcos Akiaten | Stunt Double |
| Sound | James Barth | Dialogue Editor |
| Crew | Jonathan Erickson Eisley | Stunts |
| Visual Effects | Tim Carras | Visual Effects Supervisor |
| Sound | Michael J. McDonald | Supervising Sound Editor |
| Visual Effects | Joshua D. Comen | Visual Effects Producer |
| Editing | Andrew Huebscher | Colorist |
| Camera | Rob Givens | Second Assistant Camera |
| Crew | Sylvia Wildfire | Set Medic |
| Crew | Josh Hakian | Special Effects Coordinator |
| Crew | Tony Ritter | Stunts |
| Lighting | Marvin Cheng | Electrician |
| Camera | David Doko | First Assistant "B" Camera |
| Camera | Colleen E. Hayes | Still Photographer |
| Production | Dea Vise | Casting Associate |
| Crew | Arthur H. Ament | In Memory Of |
| Sound | Todd Smith | Foley Recordist |
| Camera | Ben Kobbs | First Assistant "C" Camera |
| Costume & Make-Up | Fanny Mac | Wardrobe Supervisor |
| Production | Michelle Poole | Production Coordinator |
| Lighting | Christian Grosselfinger | Gaffer |
| Lighting | Tyler Harrison | Electrician |
| Directing | Kristine Familletti | Script Supervisor |
| Production | Eric Presley | Production Coordinator |
| Camera | Brian Hart | Steadicam Operator |
| Editing | Jon Berry | Assistant Editor |
| Camera | Jason Cochard | Second Unit Director of Photography |
| Camera | Nicole Danyluck Thompson | First Assistant Camera |
| Camera | Miles Burke | Second Assistant Camera |
| Camera | Forrest Sandefer | Dolly Grip |
| Camera | Michael Gulbin | Key Grip |
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