Fired from his job, a former executive turns to impregnating wealthy lesbians for profit.
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Directing | Spike Lee | Director |
Writing | Spike Lee | Screenplay |
Writing | Michael Genet | Story |
Writing | Michael Genet | Screenplay |
Editing | Barry Alexander Brown | Editor |
Production | Spike Lee | Producer |
Art | Brigitte Broch | Production Design |
Production | Preston L. Holmes | Producer |
Costume & Make-Up | Donna Berwick | Costume Design |
Production | Fernando Sulichin | Producer |
Camera | Matthew Libatique | Director of Photography |
Production | Kim Taylor-Coleman | Casting Director |
Lighting | John G. Velez | Gaffer |
Sound | Philip Stockton | Supervising Sound Editor |
Art | Kevin Ladson | Property Master |
Production | Jean Cazes | Executive Producer |
Costume & Make-Up | Leonard Drake | Key Hair Stylist |
Production | Hakim Quest | Post Production Coordinator |
Directing | Mike Ellis | First Assistant Director |
Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
Sound | Ken Ishii | Sound Mixer |
Visual Effects | Diane Pearlman | Animation |
Camera | Lamont Crawford | Key Grip |
Directing | Tracey Hinds | Second Assistant Director |
Art | Richard Hebrank | Construction Coordinator |
Sound | Todd Bozung | Music Supervisor |
Sound | Terence Blanchard | Original Music Composer |
Visual Effects | Kathy Kelehan | Visual Effects Producer |
Production | Craig M. Spitzer | Co-Producer |
Production | David Pomier | Unit Production Manager |
Production | Colin Cumberbatch | Production Supervisor |
Production | Jamel Debbouze | Executive Producer |
Production | Tom Yeager | Location Manager |
Costume & Make-Up | Anita Gibson | Key Makeup Artist |
Art | Ford Wheeler | Set Decoration |
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