November 22nd, 1963 was a day that changed the world forever — when young American President John F. Kennedy was assassinated in Dallas, Texas. This film follows, almost in real time, a handful of individuals forced to make split-second decisions after an event that would change their lives and forever alter the world’s landscape.
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| Art | Rodney Becker | Art Direction |
| Editing | Leo Trombetta | Editor |
| Directing | Peter Landesman | Director |
| Editing | Markus Czyzewski | Editor |
| Writing | Peter Landesman | Screenplay |
| Art | Bruce Curtis | Production Design |
| Sound | James Newton Howard | Original Music Composer |
| Costume & Make-Up | Kari Perkins | Costume Design |
| Production | Tom Hanks | Producer |
| Production | Mary Vernieu | Casting |
| Production | Matt Jackson | Producer |
| Production | Gary Goetzman | Producer |
| Production | Bill Paxton | Producer |
| Production | Lindsay Graham Ahanonu | Casting |
| Costume & Make-Up | Yvonne Wilburn | Costume Supervisor |
| Costume & Make-Up | Stephany Baskin | Set Costumer |
| Directing | Cate Hardman | Script Supervisor |
| Art | Chia Berry | Art Department Coordinator |
| Costume & Make-Up | Randy Westgate | Makeup Department Head |
| Costume & Make-Up | Bridget Cook | Hairstylist |
| Costume & Make-Up | Melissa Forney | Hairstylist |
| Costume & Make-Up | Jacenda Burkett | Makeup Department Head |
| Art | Scott A. Reeder | Property Master |
| Camera | Oliver Driscoll | First Assistant Camera |
| Camera | Steve Urban | Dolly Grip |
| Costume & Make-Up | Missy Lisenby | Makeup Artist |
| Sound | Gary A. Hecker | Foley |
| Sound | Michelle Pazer | Dialogue Editor |
| Sound | David M. Roberts | Boom Operator |
| Visual Effects | Tom Rubendall | Visual Effects Coordinator |
| Sound | Kerry Ann Carmean | Sound Effects Editor |
| Sound | Tony Lamberti | Sound Re-Recording Mixer |
| Crew | Heather Henry | Makeup Effects |
| Costume & Make-Up | Heather Henry | Makeup Artist |
| Art | Adele Plauche | Set Designer |
| Art | Phil Shirey | Leadman |
| Art | Tom Ward | Construction Coordinator |
| Lighting | Mark Manthey | Gaffer |
| Lighting | Raul Mello | Rigging Gaffer |
| Production | Cynthia Streit | Production Coordinator |
| Costume & Make-Up | Jacqueline Fernandez | Makeup Artist |
| Camera | Nathanael Vorce | Camera Operator |
| Art | Jason Schulte | Greensman |
| Directing | Vincent Palmo Jr. | First Assistant Director |
| Camera | Claire Folger | Still Photographer |
| Visual Effects | Rachel Faith Hanson | Visual Effects Producer |
| Lighting | Josh Taylor | Best Boy Electric |
| Production | Nigel Sinclair | Producer |
| Costume & Make-Up | Nancy Rankin Escovedo | Hairstylist |
| Writing | Vincent Bugliosi | Book |
| Sound | Dave McMoyler | Supervising Sound Editor |
| Production | Robbie Friedmann | Location Manager |
| Sound | Deva Anderson | Music Supervisor |
| Camera | Barry Ackroyd | Director of Photography |
| Crew | Chance Hartman | Stunt Driver |
| Crew | Bryon Weiss | Stunt Driver |
| Crew | Dick Hancock | Utility Stunts |
| Crew | Matt Blackwell | Stunts |
| Production | Wendy Rutland | Co-Executive Producer |
| Production | Jeni Jones | Associate Producer |
| Production | Brian Peter Falk | Executive Producer |
| Crew | Thomas E. Bentley | Utility Stunts |
| Production | Steven Shareshian | Executive Producer |
| Production | Ginger Sledge | Executive Producer |
| Crew | David Roberts | Stunts |
| Production | Tobin Armbrust | Executive Producer |
| Production | Lauren Selig | Co-Executive Producer |
| Crew | John Cann | Utility Stunts |
| Production | Kirk Saduski | Co-Producer |
| Crew | Jeff Schwan | Stunt Coordinator |
| Production | Toby Moores | Co-Executive Producer |
| Crew | Jeff Milburn | Utility Stunts |
| Crew | Christopher M. Campos | Stunt Driver |
| Production | Guy East | Executive Producer |
| Production | Jillian Longnecker | Co-Producer |
| Production | Joe Ricketts | Executive Producer |
| Crew | Bryon Weiss | Utility Stunts |
| Crew | William Kasson | Utility Stunts |
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