Mark Kaminsky is kicked out of the FBI for his rough treatment of a suspect. He winds up as the sheriff of a small town in North Carolina. FBI Chief Harry Shannon, whose son has been killed by a mobster named Patrovina, enlists Kaminsky in a personal vendetta with a promise of reinstatement into the FBI if Patrovina is taken down. To accomplish this, he must go undercover and join Patrovina's gang.
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Camera | Alex Thomson | Director of Photography |
Directing | John Irvin | Director |
Sound | Tom Bähler | Original Music Composer |
Art | Maher Ahmad | Art Direction |
Production | Martha De Laurentiis | Producer |
Sound | Albhy Galuten | Original Music Composer |
Sound | Chris Boardman | Original Music Composer |
Production | Mary Colquhoun | Casting |
Editing | Anne V. Coates | Editor |
Writing | Norman Wexler | Screenplay |
Writing | Gary DeVore | Screenplay |
Costume & Make-Up | Hilton Rosemarin | Set Dressing Artist |
Costume & Make-Up | Clifford Capone | Costume Design |
Crew | Steven Lambert | Utility Stunts |
Camera | Kika Ungaro | Assistant Camera |
Crew | Nick Dimitri | Utility Stunts |
Crew | Loren Janes | Utility Stunts |
Production | Dino De Laurentiis | Producer |
Production | Michael W. Stroud | Production Supervisor |
Art | Timothy W. Tiedje | Assistant Property Master |
Lighting | Roy Larner | Gaffer |
Costume & Make-Up | Barbara Page | Makeup Supervisor |
Production | Fred C. Caruso | Production Manager |
Camera | Anthony Stephens | Grip |
Lighting | David W. Strong | Lighting Technician |
Production | Angela Heald | Production Coordinator |
Camera | Dan Kneece | Steadicam Operator |
Directing | Henry J. Bronchtein | First Assistant Director |
Camera | John Robert Miller | Key Grip |
Camera | Chyna Thomson | Camera Operator |
Lighting | Steve Venetis | Electrician |
Art | Hilton Rosemarin | Set Decoration |
Art | Jerry Hall | Assistant Art Director |
Costume & Make-Up | Aldo Signoretti | Hairstylist |
Camera | Daniele Nannuzzi | Second Unit Director of Photography |
Camera | Kenneth Atherfold | Key Grip |
Crew | Michael Klastorin | Unit Publicist |
Art | Jeffrey Schlatter | Construction Coordinator |
Camera | Jürgen Vollmer | Still Photographer |
Production | Mark Fincannon | Additional Casting |
Lighting | William Stuebe | Gaffer |
Directing | Valerie E. Norman | Script Supervisor |
Art | Rod Schumacher | Assistant Art Director |
Camera | Roger McDonald | Focus Puller |
Costume & Make-Up | Jayme Bednarczyk | Wardrobe Supervisor |
Production | Craig Fincannon | Additional Casting |
Crew | Todd B. Lawson | Propmaker |
Art | Giorgio Postiglione | Production Design |
Costume & Make-Up | Jamie Sue Weiss | Hairstylist |
Art | Mark S. Turner | Standby Painter |
Camera | Colin Corby | Camera Operator |
Directing | Yvonne Axeworthy | Script Supervisor |
Camera | Joe D'Alessandro | Grip |
Sound | Susan Mazzei | Assistant Sound Editor |
Sound | Craig Smith | Foley Editor |
Sound | Greg Orloff | Foley Mixer |
Sound | Tom Bellfort | Sound Editor |
Sound | Gilberto Costa-Nunes | Assistant Sound Editor |
Sound | Carl Lewis | ADR Supervisor |
Sound | Paul C. Warschilka | Assistant Sound Editor |
Sound | John Benson | Sound Editor |
Sound | David Hildyard | Sound Mixer |
Editing | David Mann | Assistant Editor |
Editing | Christopher Cibelli | First Assistant Editor |
Sound | Ann Ducommun | Assistant Sound Editor |
Sound | Martin Maryska | Sound Editor |
Sound | Jerry Ross | Supervising Sound Editor |
Sound | David Pearson | Boom Operator |
Sound | Marian Wilde | Assistant Sound Editor |
Production | Dino De Laurentiis | Executive Producer |
Writing | Luciano Vincenzoni | Story |
Writing | Sergio Donati | Story |
Directing | Glenn Randall Jr. | Second Unit Director |
Directing | Bruce Moriarty | Second Assistant Director |
Crew | George Fisher | Utility Stunts |
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