Medium Sylvia Pickel and psychometrist Nick Deezy meet at a psychic research facility in New York. Not long after, they're contacted by Harry Buscafusco, who offers them $50,000 to find his lost son in South America, in the heart of Incan territory where they discover an ancient mystical secret, and each other.
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| Directing | Ken Kwapis | Director |
| Production | Carrie Frazier | Casting |
| Production | Shani Ginsberg | Casting |
| Visual Effects | Richard Edlund | Visual Effects Producer |
| Costume & Make-Up | Ruth Myers | Costume Design |
| Art | Richard Sawyer | Production Design |
| Directing | Anne Rapp | Script Supervisor |
| Production | Raymond Hartwick | Unit Production Manager |
| Directing | Alan B. Curtiss | First Assistant Director |
| Camera | Lou Barlia | Camera Operator |
| Camera | Donald E. Thorin Jr. | First Assistant Camera |
| Camera | Michael Raspa | Second Assistant Camera |
| Camera | Bruce McBroom | Still Photographer |
| Editing | Raúl Dávalos | Assistant Editor |
| Editing | Lisa Zeno Churgin | First Assistant Editor |
| Sound | Richard Bryce Goodman | Production Sound Mixer |
| Sound | Carl Fischer | Boom Operator |
| Sound | Dennis Drummond | Supervising Sound Editor |
| Sound | George H. Anderson | Sound Editor |
| Sound | Cindy Marty | Sound Editor |
| Sound | Roxanne Jones McCarthy | Sound Editor |
| Sound | Jeff Rosen | Sound Editor |
| Sound | Bobbe Kurtz | Supervising ADR Editor |
| Sound | Beth Bergeron | ADR Editor |
| Sound | Jim Henrikson | Music Editor |
| Sound | Paul A. Sharpe | Sound Re-Recording Mixer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Edward F. Suski | Sound Re-Recording Mixer |
| Art | Gregory Pickrell | Art Direction |
| Art | George R. Nelson | Set Decoration |
| Art | David F. Klassen | Set Designer |
| Art | Tom Cranham | Production Illustrator |
| Art | Dennis DeWaay | Construction Coordinator |
| Art | Steve Fegley | Construction Foreman |
| Art | Donald Krafft | Leadman |
| Art | John A. Mileski | Standby Painter |
| Crew | Allen Hall | Special Effects Coordinator |
| Crew | John Branagan | Stunt Coordinator |
| Art | Louis S. Fleming | Property Master |
| Art | Mike Carrillo | Assistant Property Master |
| Costume & Make-Up | Alan Friedman | Makeup Artist |
| Costume & Make-Up | Marlene D. Williams | Hairstylist |
| Costume & Make-Up | Norma Lee | Hairstylist |
| Lighting | Ronald W. McLeish | Gaffer |
| Camera | Michael M. Krevitt | Key Grip |
| Camera | George R. Schrader | Dolly Grip |
| Production | Shari Leibowitz | Production Coordinator |
| Production | Murray Miller | Location Manager |
| Crew | John M. Woodward | Transportation Coordinator |
| Crew | Frank DeMichelis | Craft Service |
| Editing | Donah Bassett | Negative Cutter |
| Editing | Phil Downey | Color Timer |
| Production | Jorge Gundín | Production Manager |
| Writing | Deborah Blum | Story |
| Writing | Lowell Ganz | Story |
| Writing | Babaloo Mandel | Story |
| Writing | Lowell Ganz | Screenplay |
| Writing | Babaloo Mandel | Screenplay |
| Production | Deborah Blum | Producer |
| Production | Tony Ganz | Producer |
| Production | Raymond Hartwick | Co-Producer |
| Production | Ron Howard | Executive Producer |
| Production | Kate Long | Associate Producer |
| Production | David Wolff | Associate Producer |
| Crew | Miranda Garrison | Choreographer |
| Sound | James Horner | Original Music Composer |
| Editing | Carol Littleton | Editor |
| Crew | Patrick J. Statham | Stunt Coordinator |
| Crew | Joni Avery | Stunts |
| Crew | Charles Croughwell | Stunts |
| Production | Regina Gruss | Publicist |
| Art | Dan Perri | Title Designer |
| Camera | John Bailey | Director of Photography |
| Directing | Tom Seidman | Second Assistant Director |
| Crew | Debbie Lynn Ross | Stunts |
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