A store clerk and an ice cream truck driver are thrown together when a dying scientist entrusts them with a deadly chemical kept in ice. This chemical will kill every living thing once it melts. They have to take the chemical codenamed 'Elvis' to the next nearest military base while being chased by terrorists who want it to hold the country for ransom.
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| Production | Pam Dixon | Casting |
| Sound | Hans Zimmer | Original Music Composer |
| Directing | Hugh Johnson | Director |
| Editing | Pamela Power | Editor |
| Writing | Drew Gitlin | Screenplay |
| Art | Jeremy Conway | Set Designer |
| Art | Claudette Didul | Set Decoration |
| Camera | David Gribble | Director of Photography |
| Production | James G. Robinson | Producer |
| Writing | Mike Cheda | Screenplay |
| Sound | John Powell | Original Music Composer |
| Art | Fredda Slavin | Art Direction |
| Costume & Make-Up | Deborah Everton | Costume Design |
| Sound | Denise Horta | ADR Editor |
| Sound | Bradley Clouse | Assistant Sound Editor |
| Sound | Eric Gotthelf | Foley Mixer |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | David Wolowic | First Assistant Sound Editor |
| Sound | Dana LeBlanc Frankley | Assistant Sound Editor |
| Sound | Adam Milo Smalley | Music Editor |
| Sound | Juno J. Ellis | ADR Supervisor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Camera | Jerry G. Callaway | Second Unit Director of Photography |
| Sound | Matthew C. Beville | ADR Mixer |
| Sound | Terry Rodman | Sound Re-Recording Mixer |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Crew | Geoff Zanelli | Additional Music |
| Camera | Thomas 'Casey' Jirgal | Best Boy Grip |
| Directing | John G. Scotti | Second Unit First Assistant Director |
| Sound | Chris David | Sound Re-Recording Mixer |
| Crew | Klaus Badelt | Additional Music |
| Sound | Thor Benitez | ADR Recordist |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Production | Stephen Yetman | Location Manager |
| Crew | Jeff Rona | Additional Music |
| Art | Peter Battistelli | Construction Coordinator |
| Art | Ralph Woollaston | Construction Foreman |
| Production | Alan J. Lam | Production Accountant |
| Production | Shay Bentley Griffin | Location Casting |
| Lighting | Brian Gunter | Gaffer |
| Crew | Joan Eisenberg | Unit Publicist |
| Crew | Keith Butler | Stand In |
| Production | Jeffrey R. Neuman | Co-Producer |
| Production | Bill Bannerman | Executive Producer |
| Production | Martin Wiley | Co-Producer |
| Production | Jonathan A. Zimbert | Executive Producer |
| Crew | Tierre Turner | Stunts |
| Crew | Jon W. Kishi | Stunts |
| Crew | Keith Woulard | Stunts |
| Crew | Brian Stewart | Stunts |
| Crew | Myke Schwartz | Stunts |
| Crew | Kathy Jarvis | Stunts |
| Crew | Heather Burton | Stunts |
| Crew | Richard Bucher | Stunts |
| Directing | Artist W. Robinson | First Assistant Director |
| Crew | Gary Hymes | Stunt Coordinator |
| Crew | Les Larson | Stunts |
| Crew | Bobby J. Foxworth | Stunts |
| Crew | Dane Farwell | Stunts |
| Crew | Gilbert B. Combs | Stunts |
| Crew | Fred Waugh | Stunts |
| Crew | Tim Gilbert | Stunts |
| Crew | Patricia Tallman | Stunts |
| Crew | Tommy J. Huff | Stunts |
| Crew | Jophery C. Brown | Stunts |
| Crew | Ray McCort | Pilot |
| Art | Michael H. Ward | Set Designer |
| Art | Kenneth Bryant | Leadman |
| Production | David Robinson | Associate Producer |
| Directing | Maria Battle Campbell | Second Second Assistant Director |
| Art | Patrick Fuhrman | Set Dresser |
| Crew | Lubo Hristov | Visual Effects Art Director |
| Camera | Bobby McMahan | Second Assistant Camera |
| Crew | Bill Anagnos | Stunts |
| Camera | Paul Varrieur | Camera Operator |
| Art | Sonya Duvall | Art Department Coordinator |
| Crew | Gene Hartline | Stunts |
| Art | Lance Totten | Set Dresser |
| Camera | Jon Baronn Farmer | Still Photographer |
| Crew | Cal Johnson | Stunts |
| Art | Glenn Rivers | Set Designer |
| Camera | Bill Coe | First Assistant Camera |
| Sound | Kevin Cerchiai | Boom Operator |
| Crew | Mike Vézina | Special Effects Coordinator |
| Visual Effects | David Lingenfelser | Compositing Supervisor |
| Art | Michael Shapiro | Set Dresser |
| Visual Effects | Jay Riddle | Visual Effects Supervisor |
| Visual Effects | Craig Mathieson | Digital Compositor |
| Directing | Deirdre Horgan | Script Supervisor |
| Crew | Richard Kidd | CG Supervisor |
| Visual Effects | Marcel Martinez | Digital Compositor |
| Costume & Make-Up | JoJo Guthrie | Key Hair Stylist |
| Costume & Make-Up | Nina Proctor | Key Costumer |
| Sound | Peter J. Devlin | Production Sound Mixer |
| Visual Effects | Karen Klein | Roto Supervisor |
| Costume & Make-Up | Michaell Keith Taylor Jr. | Set Costumer |
| Visual Effects | Aaron Dem | Visual Effects Producer |
| Visual Effects | Kevin Elam | Visual Effects Producer |
| Costume & Make-Up | Rick Pour | Makeup Supervisor |
| Sound | Bruce Stambler | Sound Designer |
| Sound | Joe Divitale | Sound Effects Editor |
| Sound | Brian Best | Sound Effects Editor |
| Sound | Terry Rodman | Supervising Sound Editor |
| Crew | Philip Hoelcher | Animal Wrangler |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Jay Nierenberg | Sound Effects Editor |
| Editing | Karen Rasch | First Assistant Editor |
| Editing | Gloria Kaiser | Color Timer |
| Art | Nicholas J. Romanac | Property Master |
| Crew | Guy Williams | Technical Supervisor |
| Crew | James McKee Smith | Additional Music |
| Crew | Kathy Jarvis | Stunt Double |
| Art | Jeremy Conway | Production Design |
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