A lawyer defends her father accused of war crimes, but there is more to the case than she suspects.
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| Production | Irwin Winkler | Producer |
| Sound | Philippe Sarde | Original Music Composer |
| Art | Jeannine Oppewall | Set Designer |
| Production | Michael Polaire | Production Manager |
| Costume & Make-Up | Art Anthony | Makeup Artist |
| Editing | Joële Van Effenterre | Editor |
| Art | Erica Rogalla | Set Decoration |
| Production | Pam Dixon | Casting |
| Costume & Make-Up | Steve LaPorte | Makeup Artist |
| Costume & Make-Up | Rita Salazar | Costume Design |
| Directing | Costa-Gavras | Director |
| Production | Mary Goldberg | Casting |
| Writing | Joe Eszterhas | Screenplay |
| Camera | Patrick Blossier | Director of Photography |
| Production | Hal W. Polaire | Executive Producer |
| Art | Jeannine Oppewall | Production Design |
| Production | Joe Eszterhas | Executive Producer |
| Directing | Jeanne Caliendo | Second Assistant Director |
| Camera | Dennis De La Mata | Best Boy Grip |
| Sound | William Flageollet | Sound Mixer |
| Art | Joel Prihoda | Leadman |
| Lighting | Dick Oakes | Gaffer |
| Sound | Bernard Chaumeil | Boom Operator |
| Production | Gábor Ujházy | Unit Manager |
| Production | Nelson McCormick | Associate Producer |
| Art | William B. Fosser | Set Designer |
| Lighting | Peter Donoghue | Best Boy Electric |
| Camera | David M. Russell | Dolly Grip |
| Camera | Steven Hiller | First Assistant Camera |
| Directing | Sioux Richards | Script Supervisor |
| Costume & Make-Up | Lyndell Quiyou | Hairstylist |
| Sound | Pierre Gamet | Sound Mixer |
| Sound | Gérard Lamps | Sound Mixer |
| Camera | Gerrit Dangremond | Camera Operator |
| Directing | Rob Cowan | First Assistant Director |
| Production | Judi Rosner | Production Coordinator |
| Costume & Make-Up | Jerry Turnage | Hairstylist |
| Production | Mark Mamalakis | Assistant Location Manager |
| Editing | Anne-Marie Leduc | Assistant Editor |
| Art | Aaron Holden | Property Master |
| Crew | David Clapham | Post Production Supervisor |
| Sound | Katya Chelli | Dialogue Editor |
| Sound | Jean-Pierre Lelong | Foley Artist |
| Production | Robert F. Kocourier | Production Accountant |
| Art | Aaron C. Holden Jr. | Assistant Property Master |
| Camera | Zade Rosenthal | Still Photographer |
| Production | Louise Bublitz Larson | Assistant Production Coordinator |
| Costume & Make-Up | Deborah K. Dee | Hairstylist |
| Directing | Karen Carter-Lynch | Second Second Assistant Director |
| Costume & Make-Up | Gina Panno | Set Costumer |
| Sound | Hubert Bougis | Orchestrator |
| Costume & Make-Up | Cathy Newport-Logan | Costume Supervisor |
| Production | Billy Higgins | Location Manager |
| Production | Charlene Norman | Production Secretary |
| Sound | Billy Byers | Orchestrator |
| Costume & Make-Up | Joann Turnpaugh Lam | Costumer |
| Sound | Harriet Fidlow | ADR Editor |
| Costume & Make-Up | Kris Jorgensen | Costume Supervisor |
| Art | Tyler Osman | Construction Foreman |
| Sound | Mario Melchiorri | Foley Artist |
| Sound | Joële Van Effenterre | Music Editor |
| Sound | Catherine d'Hoir | Sound Effects Editor |
| Camera | John Hudecek | Key Grip |
| Directing | Jeanne Caliendo | Assistant Director |
| Sound | Harry Rabinowitz | Conductor |
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