"Boxcar" Bertha Thompson, a transient woman in Arkansas during the violence-filled Depression of the early '30s, meets up with rabble-rousing union man "Big" Bill Shelly and the two team up to fight the corrupt railroad establishment.
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Directing | Martin Scorsese | Director |
Writing | Joyce Hooper Corrington | Screenplay |
Writing | John William Corrington | Screenplay |
Production | Roger Corman | Producer |
Production | Samuel Z. Arkoff | Executive Producer |
Production | Julie Corman | Associate Producer |
Production | James H. Nicholson | Executive Producer |
Crew | Salvatore Billitteri | Post Production Supervisor |
Production | Paul Rapp | Executive In Charge Of Production |
Directing | Russell Vreeland | Second Assistant Director |
Art | David Nichols | Other |
Art | Walter Starkey | Property Master |
Sound | Donald F. Johnson | Sound Mixer |
Sound | Fred J. Brown | Sound Editor |
Sound | Roger Sword | Sound Editor |
Sound | Ross Taylor | Sound Editor |
Crew | William H. Burton Sr. | Stunt Coordinator |
Camera | John Murray | Key Grip |
Camera | Paul M. Pollard | Assistant Camera |
Camera | Alex Touyarot | Assistant Camera |
Costume & Make-Up | Robert Modes | Costume Supervisor |
Editing | George Trirogoff | Assistant Editor |
Editing | Jack English | Assistant Editor |
Production | Harvey Jacobson | Location Coordinator |
Crew | Samuel Z. Arkoff | Presenter |
Crew | James H. Nicholson | Presenter |
Production | Peter Fain | Other |
Crew | Julian F. Myers | Unit Publicist |
Production | David Sheldon | Production Executive |
Writing | Ben L. Reitman | Book |
Camera | John M. Stephens | Director of Photography |
Sound | Thad Maxwell | Original Music Composer |
Sound | Gib Guilbeau | Original Music Composer |
Editing | Buzz Feitshans | Editor |
Directing | Paul Rapp | Assistant Director |
Directing | Bobbie Sierks | Script Supervisor |
Lighting | Larry Gilhooly | Gaffer |
Editing | Martin Scorsese | Editor |
Sound | Herb Cohen | Music Producer |
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