A disillusioned writer explores the subterranean depths of San Francisco's North Beach district.
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Art | Urie McCleary | Art Direction |
Sound | André Previn | Music |
Production | Arthur Freed | Producer |
Writing | Jack Kerouac | Novel |
Directing | Ranald MacDougall | Director |
Editing | Ben Lewis | Editor |
Costume & Make-Up | Moss Mabry | Costume Design |
Art | George W. Davis | Art Direction |
Art | Henry Grace | Set Decoration |
Art | Hugh Hunt | Set Decoration |
Camera | Joseph Ruttenberg | Director of Photography |
Directing | Carl Roup | Assistant Director |
Costume & Make-Up | Josephine Sweeney | Hairdresser |
Crew | Lee LeBlanc | Special Effects |
Sound | Kurt Hernfeld | Sound Editor |
Directing | Sheldon Schrager | Assistant Director |
Art | Carl Beonde | Props |
Writing | Robert Thom | Screenplay |
Art | Tony Ordoqui | Props |
Sound | Franklin Milton | Sound Supervisor |
Sound | Tom Goldrich | Boom Operator |
Sound | Philip Mitchell | Sound Mixer |
Costume & Make-Up | John Truwe | Makeup Artist |
Directing | William Shanks | Assistant Director |
Costume & Make-Up | William Tuttle | Makeup Artist |
Costume & Make-Up | Keester Sweeney | Makeup Artist |
Camera | Howard Bradner | Grip |
Camera | George K. Hollister | Assistant Camera |
Costume & Make-Up | Jack Martell | Wardrobe Master |
Camera | Howard Roberts | Best Boy Grip |
Costume & Make-Up | Gertrude Gellert | Wardrobe Master |
Directing | Ted Butcher | Script Supervisor |
Camera | Tom Smith | Grip |
Camera | Alec Riley | Camera Operator |
Camera | Frank Shugrue | Still Photographer |
Lighting | Milford Cline | Gaffer |
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