A hit man and his partner try to find out why their latest victim, a former race-car driver, did not try to get away.
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| Writing | Gene L. Coon | Screenplay |
| Writing | Ernest Hemingway | Novel |
| Directing | Don Siegel | Director |
| Sound | John Williams | Original Music Composer |
| Sound | Henry Mancini | Music |
| Directing | Milton Feldman | Assistant Director |
| Crew | Hall Brock | Technical Advisor |
| Costume & Make-Up | Larry Germain | Hairstylist |
| Editing | David J. O'Connell | Editorial Manager |
| Crew | Scott Hale | Dialogue Coach |
| Sound | Stanley Wilson | Music Supervisor |
| Art | John McCarthy Jr. | Set Decoration |
| Art | James Redd | Set Decoration |
| Costume & Make-Up | Helen Colvig | Costume Design |
| Sound | David H. Moriarty | Sound Designer |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Production | Don Siegel | Producer |
| Camera | Richard L. Rawlings | Director of Photography |
| Editing | Richard Belding | Editor |
| Art | Frank Arrigo | Art Direction |
| Art | George B. Chan | Art Direction |
| Sound | Pete Rugolo | Music |
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