Biographer Margaret Lea travels to the isolated rural mansion of the famous writer Vida Winter, who asks her to write her biography. Although initially she is reluctant, as Vida is known for constantly distorting the facts of her life, Margaret soon becomes fascinated with the story of a dark childhood, a disturbing tale that leads her to finally confront the traumas of her own past.
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Directing | James Kent | Director |
Writing | Diane Setterfield | Novel |
Production | Rosie Alison | Executive Producer |
Production | David Heyman | Producer |
Production | Norma Heyman | Producer |
Writing | Christopher Hampton | Screenplay |
Production | David Mason | Co-Producer |
Crew | Gordon Seed | Stunt Coordinator |
Directing | Sara Doughty | Script Supervisor |
Production | Luc Webster | Unit Manager |
Costume & Make-Up | Elizabeth Healey | Costume Supervisor |
Costume & Make-Up | Claire Whitely | Makeup Artist |
Costume & Make-Up | Fiona Lobo-Cranston | Makeup Artist |
Art | Frederic Evard | Art Direction |
Art | Camise Oldfield | Graphic Designer |
Art | Craig Cheeseman | Property Master |
Camera | Mark Jones | Key Grip |
Camera | Gareth Hughes | Steadicam Operator |
Camera | Laurence Cendrowicz | Still Photographer |
Lighting | Mark Taylor | Gaffer |
Visual Effects | Tom Harris | Special Effects Supervisor |
Visual Effects | Anthony Smith | Visual Effects Supervisor |
Sound | Nigel Edwards | Sound Re-Recording Mixer |
Sound | John Pearson | Sound Recordist |
Costume & Make-Up | Nic Ede | Costume Designer |
Costume & Make-Up | Christine Allsopp | Makeup & Hair |
Production | Gail Stevens | Casting |
Sound | Benjamin Wallfisch | Original Music Composer |
Art | Jon Henson | Production Design |
Editing | Luke Dunkley | Editor |
Camera | Jean-Philippe Gossart | Director of Photography |
Production | Polly Hill | Executive Producer |
Crew | Ella-Rose Wood | Stunt Double |
Directing | Mick Pantaleo | First Assistant Director |
Directing | Andy Pearson | Second Assistant Director |
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