In the present, artist Tom Warshaw recalls his traumatic coming of age. As a 13-year-old growing up in New York City in 1973, Tom hangs out with Pappass, a mentally disabled man. With Tom's mother battling depression after the death of her husband, the young boy is left to his own devices. When Tom develops a crush on schoolmate Melissa, Pappass feels abandoned and begins behaving erratically.
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Writing | David Duchovny | Writer |
Directing | David Duchovny | Director |
Costume & Make-Up | Gary Archer | Prosthetics |
Crew | Lisa Shriver | Choreographer |
Camera | Michael Chapman | Director of Photography |
Production | Avy Kaufman | Casting |
Editing | Suzy Elmiger | Editor |
Art | Jennifer Greenberg | Set Decoration |
Art | Teresa Mastropierro | Art Direction |
Directing | Sheila Paige | Script Supervisor |
Art | Lester Cohen | Production Design |
Sound | Geoff Zanelli | Original Music Composer |
Production | Adam Merims | Executive Producer |
Production | Zanne Devine | Executive Producer |
Production | Jane Rosenthal | Producer |
Production | Melanie Greene | Co-Producer |
Sound | Buck Damon | Music Supervisor |
Sound | Amanda Scheer-Demme | Music Supervisor |
Production | Richard Barton Lewis | Producer |
Costume & Make-Up | Ellen Lutter | Costume Designer |
Production | Bob Yari | Producer |
Production | Jeff Skoll | Executive Producer |
Production | M. Blair Breard | Unit Production Manager |
Directing | Todd Pfeiffer | First Assistant Director |
Directing | Timothy Donohue | Second Assistant Director |
Production | Jessica Daniels | Casting Assistant |
Directing | Michael T. Meador | Second Assistant Director |
Production | Cody Beke | Casting Assistant |
Production | Elizabeth Greenberg | Casting Associate |
Production | David Gaines | Co-Producer |
Editing | Philip Harrison | Associate Editor |
Production | Robert Katz | Executive In Charge Of Production |
Production | Michael Bederman | Production Supervisor |
Sound | William Sarokin | Sound |
Costume & Make-Up | Jacqueline Payne | Hairdresser |
Directing | Deanna Leslie Kelly | Second Second Assistant Director |
Costume & Make-Up | Dale Brownell | Key Hairdresser |
Production | Karen E. Etcoff | Extras Casting |
Production | Anita Sum | Production Coordinator |
Sound | Brad North | Foley Editor |
Sound | Brad North | Sound Re-Recording Mixer |
Sound | Jerry Trent | Foley Artist |
Costume & Make-Up | Pashelle Clayton-Robinson | Wardrobe Supervisor |
Directing | Adam Weisinger | Second Second Assistant Director |
Crew | Manny Siverio | Stunt Coordinator |
Production | April Brooks | Assistant Production Coordinator |
Sound | Richard Murphy | Utility Sound |
Sound | Kimberly R. McCord-Wilson | ADR Editor |
Sound | David Weisberg | ADR Mixer |
Costume & Make-Up | Cheri Minns | Makeup Artist |
Sound | Rick Hart | Sound Re-Recording Mixer |
Sound | William Jacobs | Sound Effects Editor |
Costume & Make-Up | Barbara Preser | Assistant Costume Designer |
Costume & Make-Up | Careen Fowles | Wardrobe Supervisor |
Costume & Make-Up | Francesca Buccellato | Makeup Artist |
Editing | Hilary Peabody | First Assistant Editor |
Sound | Byron Wilson | Supervising Sound Editor |
Sound | Brad North | Sound Effects |
Sound | Scott G.G. Haller | Dialogue Editor |
Sound | George Leong | Boom Operator |
Costume & Make-Up | Chris Bingham | Key Makeup Artist |
Costume & Make-Up | Derek J. Baskerville | Costumer |
Sound | Chris Trent | Foley Recordist |
Sound | Howard London | ADR Mixer |
Production | Sally Anne Edger | Post Production Coordinator |
Sound | James Burt | Music Editor |
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