Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
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| Directing | Merian C. Cooper | Director |
| Directing | Ernest B. Schoedsack | Director |
| Writing | James Ashmore Creelman | Screenplay |
| Writing | Ruth Rose | Screenplay |
| Production | David O. Selznick | Executive Producer |
| Production | Merian C. Cooper | Producer |
| Production | Ernest B. Schoedsack | Producer |
| Sound | Max Steiner | Original Music Composer |
| Camera | Edward Linden | Director of Photography |
| Camera | J.O. Taylor | Director of Photography |
| Camera | Vernon L. Walker | Director of Photography |
| Camera | Kenneth Peach | Director of Photography |
| Editing | Ted Cheesman | Editor |
| Lighting | George Marquenie | Best Boy Electric |
| Camera | Ernest B. Schoedsack | Camera Operator |
| Production | Walter Daniels | Producer |
| Writing | Merian C. Cooper | Idea |
| Writing | Edgar Wallace | Idea |
| Writing | Leon Gordon | Writer |
| Art | Carroll Clark | Art Direction |
| Art | Alfred Herman | Art Direction |
| Costume & Make-Up | Mel Berns | Makeup Supervisor |
| Art | Carroll Clark | Settings |
| Art | Alfred Herman | Settings |
| Art | John Cerisoli | Sculptor |
| Art | Van Nest Polglase | Supervising Art Director |
| Art | Steve Rez | Paint Coordinator |
| Art | Ernest Smythe | Additional Storyboarding |
| Sound | Murray Spivack | Sound Effects |
| Sound | Murray Spivack | Sound Designer |
| Sound | Eddie Harman | Sound Recordist |
| Sound | Clem Portman | Sound Re-Recording Mixer |
| Sound | Richard Van Hessen | Boom Operator |
| Crew | Harry Redmond Jr. | Special Effects |
| Crew | Harry Redmond Sr. | Special Effects |
| Crew | Frank D. Williams | Special Effects Technician |
| Camera | Ernest Bachrach | Still Photographer |
| Camera | Sam Redding | Key Grip |
| Writing | Merian C. Cooper | Story |
| Writing | Edgar Wallace | Story |
| Production | Fred Schuessler | Casting |
| Art | Carroll Clark | Production Design |
| Art | Thomas Little | Set Decoration |
| Art | Ray Moyer | Set Decoration |
| Costume & Make-Up | Walter Plunkett | Costume Design |
| Costume & Make-Up | Dotha Hippe | Hairstylist |
| Costume & Make-Up | Sam Kaufman | Makeup Artist |
| Directing | Doran Cox | Assistant Director |
| Directing | Walter Daniels | Assistant Director |
| Directing | Ivan Thomas | Assistant Director |
| Art | George Gabe | Property Master |
| Sound | Earl A. Wolcott | Sound Recordist |
| Sound | Harold E. Stine | Boom Operator |
| Crew | Marcella Allen | Stunt Double |
| Crew | Aline Goodwin | Stunt Double |
| Crew | Lillian Jones | Stunt Double |
| Crew | Judy Malcolm | Stunt Double |
| Crew | Buddy Mason | Stunt Double |
| Crew | Cherie May | Stunt Double |
| Crew | Pauline Wagner | Stunt Double |
| Camera | William H. Clothier | First Assistant "B" Camera |
| Camera | Bert Willis | First Assistant "A" Camera |
| Directing | Betty Goode | Script Supervisor |
| Crew | Duke Krantz | Pilot |
| Visual Effects | Willis H. O'Brien | Visual Effects |
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