The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo
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Camera | José Reynès | Director of Photography |
Directing | Noémia Delgado | Director |
Production | Noémia Delgado | Producer |
Sound | Philippe Costantini | Sound |
Production | Henrique Paula Nogueira | Production Assistant |
Production | Raymond Fremont | Production Assistant |
Camera | Carlos Mena | Assistant Camera |
Lighting | João Silva | Electrician |
Sound | Madeira Luís | Music Consultant |
Sound | Romanza Transmontana | Music Arranger |
Sound | Luís Represas | Musician |
Sound | João Represas | Musician |
Writing | Ernesto Veiga de Oliveira | Writer |
Directing | Ernesto Veiga de Oliveira | Assistant Director |
Writing | Benjamim Pereira | Writer |
Directing | Benjamim Pereira | Assistant Director |
Editing | Noémia Delgado | Editor |
Camera | Acácio de Almeida | Director of Photography |
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