Mac, the two-fisted, savvy cop finds that he's being saddled with a new partner, a known burnout, to work with him on a new and difficult case. The new partner is Ellis, an amazing detective, one who puts Sherlock Holmes to shame with his lightning-fast deductions. But he keeps assuming the personalities of entire casts of Television shows. This can be a problem when people begin shooting at them.
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Art | Edward 'Tantar' LeViseur | Property Master |
Writing | Richard Christian Matheson | Writer |
Writing | Richard Matheson | Writer |
Writing | Bob Clark | Writer |
Production | René Dupont | Executive Producer |
Production | Alan Greisman | Producer |
Production | Aaron Spelling | Producer |
Editing | Stan Cole | Editor |
Production | Mike Fenton | Casting |
Production | Valorie Massalas | Casting |
Production | Judy Taylor | Casting |
Art | Harry Pottle | Production Design |
Art | Denise Exshaw | Set Decoration |
Costume & Make-Up | Clifford Capone | Costume Design |
Costume & Make-Up | Frank Bianco | Hairstylist |
Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
Costume & Make-Up | Michael R. Thomas | Makeup Artist |
Production | Marilyn Stonehouse | Unit Production Manager |
Production | Ted Zachary | Executive In Charge Of Production |
Crew | Glenn Randall Jr. | Second Unit |
Costume & Make-Up | Kip Bartlett | Set Dressing Artist |
Art | Jim Brinson | Construction Coordinator |
Art | Tim Eckel | Set Designer |
Art | John R. Helton | Lead Painter |
Art | Frank Hendrick | Set Decoration |
Art | Colin D. Irwin | Assistant Art Director |
Art | David J. Negron Sr. | Production Illustrator |
Crew | James F. Oñate | Scenic Artist |
Crew | Mark S. Turner | Scenic Artist |
Art | Ralph Woollaston | Construction Foreman |
Sound | Bud Alper | Sound mixer |
Sound | Brydon Baker III | Boom Operator |
Sound | Terry Burke | Foley |
Sound | David Evans | Sound Effects Editor |
Sound | John Gare | Sound Re-Recording Mixer |
Sound | Tom Gerard | Sound Re-Recording Mixer |
Sound | Alison Grace | ADR & Dubbing |
Sound | Wayne Griffin | Sound Effects Editor |
Sound | Ann Heeley-Ray | Sound Editor |
Sound | Kenneth Heeley-Ray | Supervising Sound Editor |
Sound | John Laing | Sound Editor |
Sound | Mark L. Mangino | Sound Effects Editor |
Sound | Peter Thillaye | Sound Effects Editor |
Crew | David Blitstein | Special Effects |
Crew | Robert L. Guthrie | Special Effects |
Crew | Eric Meyerhofer | Special Effects |
Crew | Richard Wood | Special Effects |
Crew | Richard E. Butler | Stunts |
Crew | Jon H. Epstein | Stunts |
Crew | Orwin C. Harvey | Stunts |
Crew | Mike Johnson | Stunts |
Crew | Glenn Randall Jr. | Stunt Coordinator |
Crew | Peter Stader | Stunts |
Crew | Phil Chong | Stunts |
Crew | John-Clay Scott | Stunts |
Camera | Ted Churchill | Steadicam Operator |
Camera | Scott R. Davis | Grip |
Lighting | Danny Eccleston | Gaffer |
Camera | Jeff 'Moose' Howery | Grip |
Camera | Bobby Huber | Grip |
Camera | Michael E. Little | Camera Operator |
Lighting | Alan Pickelsimer | Electrician |
Camera | Tom Priestley Jr. | Camera Operator |
Camera | John Seakwood | Still Photographer |
Lighting | Steve Spallone | Best Boy Electrician |
Lighting | Keith 'Zoot' Byrne | Rigging Gaffer |
Camera | Ross Reynolds | Helicopter Camera |
Costume & Make-Up | Deborah Latham | Costume Supervisor |
Crew | William Allison Jr. | Transportation Coordinator |
Crew | Edwin Bowden | Transportation Captain |
Crew | Greg Stancil | Driver |
Crew | Robert Dickman | Actor's Assistant |
Production | Chris Silver Finigan | Production Accountant |
Camera | Cliff Fleming | Helicopter Camera |
Crew | Roe Fonvielle | Other |
Production | John B. Griffin | Location Manager |
Directing | Sandra M. Haskell | Script Supervisor |
Camera | Harry Hauss | Helicopter Camera |
Production | Angela Heald | Production Manager |
Production | Shauna L. Kroen | Production Accountant |
Crew | Ernie Malik | Unit Publicist |
Crew | Randall Pickett | Craft Service |
Art | Antonia Proscia | Other |
Crew | Ross Reynolds | Other |
Production | Edward Bowen | Location Manager |
Crew | Derek N. Prusak | Stand In |
Crew | Roy Arbogast | Special Effects Coordinator |
Directing | Bob Clark | Director |
Camera | Tony Hardmon | Grip |
Crew | Anthony Cecere | Stunts |
Sound | David Appleby | Sound Re-Recording Mixer |
Camera | Reginald H. Morris | Director of Photography |
Camera | Gary Muller | First Assistant Camera |
Costume & Make-Up | Geoff Lawrence | Set Costumer |
Editing | Scott Summersgill | Assistant Editor |
Editing | Mark Lemmon | Assistant Editor |
Editing | Carole Henderson Harrington | Assistant Editor |
Editing | Peter Riley | Assistant Editor |
Sound | Paul Zaza | Original Music Composer |
Crew | Ran Ballard | Additional Music |
Crew | Nicholas Pike | Additional Music |
Crew | George Hesse | Production Office Assistant |
Crew | David K. Riebel | Production Office Assistant |
Crew | Scott Buckwald | Production Office Assistant |
Crew | Phil Dupont | Production Office Assistant |
Crew | Martine White | Production Office Assistant |
Art | William J. Durrell Jr. | Art Direction |
Sound | Jim Bridges | Sound |
Sound | Sean Kelly | Sound Editor |
Art | Philip Saccio | Property Master |
Art | Richard Waldrop | Property Master |
Sound | Alison Clark | Dialogue Editor |
Sound | Judy 'Lucky' Kemeny | Dialogue Editor |
Sound | Richard Cadger | Dialogue Editor |
Sound | Ron Archibald | Dialogue Editor |
Sound | Tony Currie | Dialogue Editor |
Crew | Bill Lee | Special Effects |
Art | Steve Davis | Set Decoration |
Sound | Paul Durand | Dialogue Editor |
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