American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.
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Art | Henry Grace | Set Decoration |
Art | Hugh Hunt | Set Decoration |
Directing | William Shanks | Assistant Director |
Directing | Ronald Florance | Second Assistant Director |
Lighting | Wes Shanks | Gaffer |
Sound | Robert Armbruster | Conductor |
Camera | William Norton | Camera Operator |
Camera | Charles K. Hagedon | Other |
Camera | Howard Bradner | Grip |
Directing | Cleo Anton | Script Supervisor |
Crew | Robert R. Hoag | Special Effects |
Sound | Bronislau Kaper | Original Music Composer |
Camera | Virgil Apger | Still Photographer |
Production | Dave Friedman | Unit Manager |
Art | Urie McCleary | Art Direction |
Costume & Make-Up | Charles H. Schram | Makeup Artist |
Editing | Fredric Steinkamp | Editor |
Costume & Make-Up | William Tuttle | Makeup Artist |
Sound | Franklin Milton | Recording Supervision |
Costume & Make-Up | Helen Rose | Costume Design |
Crew | Lee LeBlanc | Special Effects |
Camera | George K. Hollister | Assistant Camera |
Sound | Jerry Jost | Boom Operator |
Art | George W. Davis | Art Direction |
Costume & Make-Up | Mary Keats | Hairstylist |
Sound | Conrad Kahn | Sound Mixer |
Production | Leonard Murphy | Casting |
Editing | William McMillin | Assistant Editor |
Directing | Charles Walters | Director |
Writing | Sylvia Ashton-Warner | Novel |
Writing | Ben Maddow | Screenplay |
Production | Julian Blaustein | Producer |
Camera | Joseph Ruttenberg | Director of Photography |
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