American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.
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Crew | Robert R. Hoag | Special Effects |
Sound | Bronislau Kaper | Original Music Composer |
Camera | Charles K. Hagedon | Other |
Costume & Make-Up | Mary Keats | Hairstylist |
Art | Henry Grace | Set Decoration |
Art | Urie McCleary | Art Direction |
Costume & Make-Up | Helen Rose | Costume Design |
Sound | Franklin Milton | Recording Supervision |
Art | George W. Davis | Art Direction |
Crew | Lee LeBlanc | Special Effects |
Costume & Make-Up | William Tuttle | Makeup Artist |
Sound | Robert Armbruster | Conductor |
Camera | George K. Hollister | Assistant Camera |
Art | Hugh Hunt | Set Decoration |
Camera | William Norton | Camera Operator |
Production | Dave Friedman | Unit Manager |
Directing | Ronald Florance | Second Assistant Director |
Directing | William Shanks | Assistant Director |
Lighting | Wes Shanks | Gaffer |
Editing | William McMillin | Assistant Editor |
Camera | Howard Bradner | Grip |
Sound | Conrad Kahn | Sound Mixer |
Sound | Jerry Jost | Boom Operator |
Production | Leonard Murphy | Casting |
Editing | Fredric Steinkamp | Editor |
Camera | Virgil Apger | Still Photographer |
Directing | Cleo Anton | Script Supervisor |
Costume & Make-Up | Charles H. Schram | Makeup Artist |
Directing | Charles Walters | Director |
Writing | Ben Maddow | Screenplay |
Writing | Sylvia Ashton-Warner | Novel |
Production | Julian Blaustein | Producer |
Camera | Joseph Ruttenberg | Director of Photography |
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