When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
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Directing | Leslie Howard | Director |
Directing | Anthony Asquith | Director |
Writing | George Bernard Shaw | Theatre Play |
Writing | George Bernard Shaw | Screenplay |
Writing | George Bernard Shaw | Dialogue |
Writing | W.P. Lipscomb | Scenario Writer |
Writing | Cecil Lewis | Scenario Writer |
Production | Phil C. Samuel | Production Manager |
Directing | Teddy Baird | Assistant Director |
Art | Baden Siddall | Property Buyer |
Art | Laurence Irving | Set Designer |
Sound | Sash Fisher | Sound Recordist |
Camera | Jack Hildyard | Camera Operator |
Costume & Make-Up | Ladislaw Czettel | Costume Designer |
Costume & Make-Up | Madeleine Godar | Wardrobe Master |
Writing | Carl Mayer | Script Consultant |
Directing | Hazel Wilkinson | Continuity |
Camera | Harry Stradling Sr. | Director of Photography |
Writing | Ian Dalrymple | Writer |
Production | Gabriel Pascal | Producer |
Sound | Arthur Honegger | Music |
Editing | David Lean | Editor |
Art | John Bryan | Art Direction |
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