When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
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| Directing | Anthony Asquith | Director |
| Directing | Leslie Howard | Director |
| Writing | George Bernard Shaw | Screenplay |
| Writing | Cecil Lewis | Scenario Writer |
| Camera | Jack Hildyard | Camera Operator |
| Writing | W.P. Lipscomb | Scenario Writer |
| Directing | Teddy Baird | Assistant Director |
| Costume & Make-Up | Madeleine Godar | Wardrobe Master |
| Writing | George Bernard Shaw | Theatre Play |
| Costume & Make-Up | Ladislaw Czettel | Costume Designer |
| Writing | Carl Mayer | Script Consultant |
| Directing | Hazel Wilkinson | Continuity |
| Sound | Sash Fisher | Sound Recordist |
| Art | Baden Siddall | Property Buyer |
| Art | Laurence Irving | Set Designer |
| Writing | George Bernard Shaw | Dialogue |
| Production | Phil C. Samuel | Production Manager |
| Camera | Harry Stradling Sr. | Director of Photography |
| Writing | Ian Dalrymple | Writer |
| Production | Gabriel Pascal | Producer |
| Art | John Bryan | Art Direction |
| Sound | Arthur Honegger | Music |
| Editing | David Lean | Editor |
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