Self-sufficient in life and successful in business, prim and proper Millie McGonigle wants just one more thing, a child. When she asks to adopt orphan Tommy Bassett, but learns that she will first have to have a husband, Millie turns to a recently fired bus driver, Doug Andrews. Though he has no interest in marriage, Doug offers to help Millie find a husband by transforming her into a beautiful and exciting woman, one who catches the eye of two eligible bachelors, including the orphanage's president.
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Directing | Henry Levin | Director |
Production | Casey Robinson | Producer |
Art | Stephen Goosson | Art Direction |
Art | Walter Holscher | Art Direction |
Sound | George Cooper | Sound |
Editing | Richard Fantl | Editor |
Costume & Make-Up | Helen Hunt | Hairstylist |
Art | Wilbur Menefee | Set Decoration |
Costume & Make-Up | Jean Louis | Costume Design |
Costume & Make-Up | Newt Jones | Makeup Artist |
Art | Sidney Clifford | Set Decoration |
Directing | Milton Feldman | Assistant Director |
Writing | Louella MacFarlane | Writer |
Writing | St. Clair McKelway | Writer |
Writing | Adele Comandini | Story |
Camera | Joseph Walker | Director of Photography |
Sound | Werner R. Heymann | Music |
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