In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
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Production | John Hubbard | Casting |
Production | Jan Blenkin | Producer |
Directing | Peter Jackson | Director |
Production | Carolynne Cunningham | Producer |
Sound | Brent Burge | Sound Designer |
Sound | David Farmer | Sound Designer |
Sound | James Newton Howard | Original Music Composer |
Production | Liz Mullane | Casting |
Art | Grant Major | Production Design |
Sound | Mel Wesson | Original Music Composer |
Production | Victoria Burrows | Casting |
Production | Dan Hubbard | Casting |
Production | Peter Jackson | Producer |
Camera | Andrew Lesnie | Director of Photography |
Sound | David Long | Original Music Composer |
Editing | Jamie Selkirk | Editor |
Production | Fran Walsh | Producer |
Costume & Make-Up | Terry Ryan | Costume Design |
Writing | Fran Walsh | Writer |
Writing | Philippa Boyens | Writer |
Writing | Peter Jackson | Writer |
Camera | Sally Eccleston | First Assistant Camera |
Crew | Mana Hira Davis | Stunts |
Crew | Clint Elvy | Stunts |
Crew | Tony Marsh | Stunt Double |
Crew | Andrew Stehlin | Stunts |
Crew | Min Windle | Stunt Double |
Crew | Sharon Maxwell | Stunts |
Crew | Shane Rangi | Stunt Double |
Crew | Morgan Evans | Stunts |
Crew | Amanda Foubister | Stunts |
Crew | Jonathan Costelloe | Stunts |
Crew | Kirk Maxwell | Stunt Coordinator |
Crew | Winham Hammond | Stunts |
Crew | Baz Karbouris | Stunts |
Crew | Jason Tahu | Stunts |
Crew | Tim Wong | Stunts |
Crew | Mark Trotter | Stunts |
Crew | Sebastian Foxx | Stunts |
Crew | David J. Muzzerall | Stunts |
Crew | Steve Reinsfield | Stunts |
Visual Effects | Joel Fletcher | Animation |
Visual Effects | Hugo Dominguez | Visual Effects |
Crew | Sean Button | Stunts |
Visual Effects | Richard Taylor | Creature Technical Director |
Visual Effects | Guy Williams | 3D Supervisor |
Sound | Armen Ksajikian | Musician |
Art | Chris Hennah | Art Department Manager |
Crew | Shona McCullagh | Choreographer |
Directing | Victoria Sullivan | Script Supervisor |
Art | Joe Bleakley | Art Direction |
Art | Simon Bright | Art Direction |
Directing | Merrin Ruck | Script Supervisor |
Art | Kristie Breslin | Art Department Coordinator |
Costume & Make-Up | Carolyn M. Fenton | Costume Supervisor |
Crew | Gunner Ashford | Armorer |
Costume & Make-Up | Eliza Godman | Assistant Costume Designer |
Costume & Make-Up | Peter Swords King | Hair Designer |
Costume & Make-Up | Peter Swords King | Makeup Designer |
Crew | Steven Boyle | Makeup Effects |
Sound | Peter Mills | Foley Editor |
Crew | Shane Dawson | Stunt Coordinator |
Crew | Rodney Cook | Stunt Coordinator |
Crew | Steve Ingram | Special Effects Coordinator |
Sound | John Simpson | Foley Supervisor |
Sound | Dave Whitehead | Sound Designer |
Sound | Justin Webster | Sound Editor |
Visual Effects | George Murphy | Visual Effects Supervisor |
Sound | Hayden Collow | Sound Editor |
Writing | Merian C. Cooper | Original Concept |
Sound | Melanie Graham | Sound Editor |
Costume & Make-Up | Richard Taylor | Makeup Supervisor |
Sound | Tom Johnson | Sound Re-Recording Mixer |
Sound | Katy Wood | Sound Editor |
Sound | Craig Tomlinson | Foley Editor |
Production | Ann Robinson | Casting |
Writing | Edgar Wallace | Original Concept |
Visual Effects | Ben Snow | Visual Effects Supervisor |
Visual Effects | Erik Winquist | Compositing Supervisor |
Art | Greg Cockerill | Set Decoration |
Production | Annette Wullems | Associate Producer |
Production | Eileen Moran | Co-Producer |
Art | Dan Hennah | Set Decoration |
Art | Jeremy Bennett | Conceptual Design |
Art | Genevieve Cooper | Lead Painter |
Costume & Make-Up | Simon Ward | Set Costumer |
Crew | Kevin Anderton | Carpenter |
Crew | Ben Hall | Systems Administrators & Support |
Crew | Julie Adams | Dialect Coach |
Crew | Dan Lemmon | Digital Effects Supervisor |
Crew | Andy Buckley | Set Medic |
Crew | Peter Russell | Stand In |
Art | Stephen Crene | Painter |
Art | Carl Bellavia | Location Scout |
Art | Colin Davidson | Construction Foreman |
Camera | Pierre Vinet | Still Photographer |
Art | Andy McLaren | Set Dresser |
Crew | Shane Cooper | Software Engineer |
Art | Ed Mulholand | Construction Coordinator |
Camera | Simon Harding | Steadicam Operator |
Crew | Collin Butrum | Transportation Coordinator |
Sound | Ray Beentjes | Dialogue Editor |
Production | Jared Connon | Location Manager |
Crew | Aaron Cubis | Projection |
Crew | David Hollingsworth | Telecine Colorist |
Lighting | Tim Stratton | Electrician |
Art | Christopher Aitken | Sculptor |
Camera | Colin Deane | First Assistant Camera |
Crew | Matt Aitken | CG Supervisor |
Lighting | Reg Garside | Gaffer |
Art | Miriam Bellard | Set Designer |
Crew | Peter Dillon | Utility Stunts |
Crew | Matt Holmes | Visual Effects Editor |
Editing | Lynne Reed | Color Timer |
Crew | Pippa Anderson | Post Production Supervisor |
Crew | Guy Adan | Unit Publicist |
Editing | David Birrell | First Assistant Editor |
Lighting | Taipua Adams | Lighting Technician |
Sound | Derek Casari | Sound Engineer |
Sound | Bruce Emery | Dolby Consultant |
Camera | Rhys Duncan | Camera Operator |
Camera | David B. Nowell | Aerial Director of Photography |
Costume & Make-Up | Susie Glass | Hairstylist |
Crew | Pete Butters | Propmaker |
Crew | Karl Chisholm | Special Effects Coordinator |
Directing | Carolynne Cunningham | First Assistant Director |
Lighting | Huw Griffiths | Best Boy Electric |
Production | Belindalee Hope | Production Manager |
Production | Philippa Wood | Publicist |
Visual Effects | Atsushi Sato | Animation Supervisor |
Production | Emily Ireland | Unit Manager |
Crew | Greg Butler | CGI Supervisor |
Sound | Nigel Stone | ADR Supervisor |
Sound | Hayden Collow | Sound Effects Editor |
Visual Effects | Scott E. Anderson | Visual Effects Supervisor |
Production | Hannah Clarke | Production Coordinator |
Crew | Peter Cobbin | Thanks |
Sound | Pete Anthony | Orchestrator |
Visual Effects | Robert Baldwin | Creature Design |
Visual Effects | Jeremy Bennett | Visual Effects |
Visual Effects | Randy Link | Animation |
Art | Ben Milsom | Standby Painter |
Art | Nick Weir | Property Master |
Crew | Julie Zavala Ron | Machinist |
Sound | Chris Hiles | Production Sound Mixer |
Sound | Martin Kwok | First Assistant Sound Editor |
Sound | Tim Starnes | Music Editor |
Visual Effects | Dan Akers | Digital Compositors |
Visual Effects | Rebecca Downes | Visual Effects Coordinator |
Crew | James Van Der Reyden | Motion Capture Artist |
Editing | Jabez Olssen | Additional Editing |
Sound | Corrin Ellingford | Boom Operator |
Sound | Matthew Lambourn | Sound Editor |
Production | Philippa Boyens | Co-Producer |
Art | Simon Bright | Set Decoration |
Art | Jacqui Allen | Assistant Art Director |
Camera | Darren Bradnock | Grip |
Costume & Make-Up | Corinne Bossu | Makeup Artist |
Sound | Hammond Peek | Sound Recordist |
Production | Anne Bruning | Unit Production Manager |
Lighting | David Brown | Rigging Gaffer |
Directing | Veronique Lawrence | Script Supervisor |
Sound | Mike Hopkins | Supervising Sound Editor |
Visual Effects | Vicki Galloway Weimer | Visual Effects Producer |
Art | Daniel Aird | Greensman |
Crew | Chris Walker | Craft Service |
Camera | Tony Keddy | Key Grip |
Crew | Colin Alway | Sequence Leads |
Art | Alan Lee | Conceptual Design |
Crew | Chris Anderson | Stunt Coordinator |
Visual Effects | Patrick Kalyn | Animation |
Visual Effects | Ed Hawkins | Digital Compositor |
Directing | Del Chatterton | Third Assistant Director |
Camera | Noor Razzak | Assistant Grip |
Editing | Mark Hawthorne | Assistant Editor |
Sound | Polly McKinnon | ADR Editor |
Visual Effects | Juliette Davis | Visual Effects Production Assistant |
Camera | Alys Rowe | Camera Trainee |
Sound | Robyn McFarlane | Foley Recordist |
Crew | Jonathan Roy Grindlay | Special Effects Assistant |
Crew | Ryan Carey | Stunt Double |
Art | Chris Guise | Title Designer |
Visual Effects | Alex Funke | VFX Director of Photography |
Editing | Holger Spill | Digital Intermediate Editor |
Production | Mathew Gordon | Location Assistant |
Sound | Jim Weidman | Supervising Music Editor |
Directing | Randall William Cook | Second Unit Director |
Camera | Andrew Lambert | Data Wrangler |
Production | Shara Hudson | Post Production Coordinator |
Sound | Stuart Michael Thomas | Music Consultant |
Sound | Rick Canelli | ADR Recordist |
Camera | Mike Knudson | Focus Puller |
Visual Effects | Jamie Beard | Lead Animator |
Visual Effects | Keith Huggins | Senior Animator |
Editing | Jayne Herrmann | Digital Intermediate Assistant |
Sound | Pete Anthony | Conductor |
Production | Sarah Milnes | Researcher |
Directing | Richard Matthews | Additional Second Assistant Director |
Sound | Brian Kahanek | ADR Mixer |
Visual Effects | Marion Davey | Visual Effects Production Manager |
Production | Kelly Valentine Hendry | Casting Assistant |
Editing | Nadia Diggins | Color Grading |
Directing | Stephanie Weststrate | Second Assistant Director |
Art | Darryl Longstaffe | Draughtsman |
Costume & Make-Up | Paul Hambleton | Extras Dresser |
Visual Effects | Joe Letteri | Senior Visual Effects Supervisor |
Visual Effects | Mario de Dios | VFX Artist |
Camera | Kayne Asher | Dolly Grip |
Production | Aimee Aspinall | Assistant Production Coordinator |
Production | Jeff Barnes | Production Executive |
Costume & Make-Up | Hayley Atherton | Assistant Makeup Artist |
Production | Sarah Valentine | Extras Casting |
Visual Effects | Peter Baustaedter | Matte Painter |
Visual Effects | Evan Christie | Rotoscoping Artist |
Costume & Make-Up | Rick Findlater | Hair Supervisor |
Directing | Skot Thomas | Second Second Assistant Director |
Art | Mark Cameron Williams | Graphic Designer |
Sound | Karen Harper | Vocals |
Camera | Tony Monk | Helicopter Camera |
Camera | Steve Allanson | Second Assistant Camera |
Editing | Jan Kruse | Digital Colorist |
Production | Miranda Rivers | Extras Casting Coordinator |
Costume & Make-Up | Cilla Leckie | Costume Coordinator |
Camera | Dion Hartley | Best Boy Grip |
Sound | Nigel Scott | Music Coordinator |
Costume & Make-Up | Lucy Adams | Costume Assistant |
Visual Effects | Eric Leighton | Animation Director |
Production | Linda Klein-Nixon | Accountant |
Production | Jonny Doig | Production Runner |
Sound | Neil Aldridge | Assistant Dialogue Editor |
Visual Effects | Heather Clarke | Additional Visual Effects |
Visual Effects | William Dwelly | Animation Technical Director |
Production | Jessica A. Gihon | Assistant Accountant |
Costume & Make-Up | Lucy McLay | Costumer |
Crew | Ross Anderson | Special Effects Technician |
Camera | Alexandra Bishop | Clapper Loader |
Crew | Aria Harrison | Assistant Script |
Visual Effects | Leigh van der Byl | CG Artist |
Visual Effects | Christine Arboit | Creature Technical Director |
Crew | Tanya Blumstein | Dialogue Coach |
Crew | Cyndi Ochs | Digital Effects Producer |
Production | Emily Griffiths | Production Assistant |
Sound | Michael Semanick | Sound Re-Recording Mixer |
Sound | Christopher Boyes | Sound Re-Recording Mixer |
Sound | Ethan Van der Ryn | Supervising Sound Editor |
Sound | Michael Hedges | Sound Re-Recording Mixer |
Visual Effects | Brian Van't Hul | Visual Effects Supervisor |
Visual Effects | Christian Rivers | Animation Director |
Visual Effects | Graham Binding | Animation |
Sound | Carrie McLaughlin | Foley Artist |
Crew | Dayna Grant | Stunts |
Visual Effects | Daniel Falconer | Creature Design |
Visual Effects | Kelly Port | Compositing Artist |
Art | Dan Hennah | Supervising Art Director |
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