Rick Mason is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow into giving up her savings for a nonexistent memorial. When Mason falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss, who tends to bolster his arguments with muscle and bullets.
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| Editing | Frank Gross | Editor |
| Writing | Lois Eby | Novel |
| Production | Leonard Goldstein | Producer |
| Directing | George Sherman | Director |
| Camera | Irving Glassberg | Director of Photography |
| Costume & Make-Up | Rosemary Odell | Costume Design |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Costume & Make-Up | Orry-Kelly | Costume Design |
| Writing | Herbert H. Margolis | Screenplay |
| Production | Aaron Rosenberg | Associate Producer |
| Art | Bernard Herzbrun | Art Direction |
| Writing | William Bowers | Screenplay |
| Art | Ted Offenbecker | Set Decoration |
| Sound | Leith Stevens | Music |
| Directing | Jesse Hibbs | Assistant Director |
| Writing | Lou Morheim | Screenplay |
| Art | Richard H. Riedel | Art Direction |
| Art | Russell A. Gausman | Set Decoration |
| Costume & Make-Up | Carmen Dirigo | Hairstylist |
| Sound | Leslie I. Carey | Sound |
| Sound | Glenn E. Anderson | Sound |
| Writing | John Fleming | Novel |
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