Following World War III, four survivors at an desert military installation attempt to drive across the desolate wasteland of America to Albany, where they hope more survivors are living, using a specially built vehicles to protect themselves against the freakish weather, mutated plant and animal life, and other dangers encountered along the way.
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Writing | Roger Zelazny | Novel |
Writing | Alan Sharp | Screenplay |
Sound | Jerry Goldsmith | Original Music Composer |
Directing | Jack Smight | Director |
Production | Paul Maslansky | Producer |
Editing | Frank J. Urioste | Editor |
Writing | Lukas Heller | Screenplay |
Production | Jerome M. Zeitman | Producer |
Camera | Harry Stradling Jr. | Director of Photography |
Costume & Make-Up | Lon Bentley | Makeup Artist |
Art | Norman Rockett | Set Decoration |
Crew | Milt Rice | Special Effects |
Production | Hal Landers | Executive Producer |
Art | E. Preston Ames | Production Design |
Production | William Davidson | Production Manager |
Production | Jane Feinberg | Casting |
Production | Bobby Roberts | Executive Producer |
Production | Mike Fenton | Casting |
Costume & Make-Up | Evelyn Preece | Hairstylist |
Production | Maury M. Cohen | Associate Producer |
Art | William Cruse | Art Direction |
Editing | Willie Navarro | Assistant Editor |
Sound | Bruce Bisenz | Sound Mixer |
Sound | William Hartman | Sound Editor |
Sound | Arthur Morton | Orchestrator |
Directing | Michael D. Moore | Second Unit Director |
Editing | Carole Keligian | Assistant Editor |
Crew | Dean Jeffries | Stunt Coordinator |
Editing | Pat Shade | Assistant Editor |
Sound | Len Engel | Music Editor |
Directing | Donald Roberts | Assistant Director |
Sound | Richard Sperber | Sound Editor |
Sound | Theodore Soderberg | Sound Re-Recording Mixer |
Sound | Paul Wells | Sound Re-Recording Mixer |
Sound | Edward Rossi | Sound Editor |
Directing | Bart Roe | Second Assistant Director |
Crew | Margo Anderson | Visual Effects Editor |
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