An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.
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| Production | Matthew Brown | Producer |
| Directing | Daniel Barber | Director |
| Production | Matthew Vaughn | Producer |
| Production | Tim Haslam | Executive Producer |
| Sound | Martin Phipps | Original Music Composer |
| Art | Kave Quinn | Production Design |
| Production | Keith Bell | Producer |
| Production | Kris Thykier | Producer |
| Production | Reno Antoniades | Executive Producer |
| Writing | Gary Young | Screenplay |
| Production | Tim Smith | Executive Producer |
| Production | Christos Michaels | Executive Producer |
| Production | Steve Norris | Executive Producer |
| Sound | Ruth Barrett | Original Music Composer |
| Production | Paul Brett | Executive Producer |
| Camera | Martin Ruhe | Director of Photography |
| Editing | Joe Walker | Editor |
| Crew | Sian Milne | Stunt Double |
| Costume & Make-Up | Jane Petrie | Costume Design |
| Production | Dan Hubbard | Casting |
| Directing | Heather Storr | Script Supervisor |
| Camera | Dion M. Casey | Steadicam Operator |
| Sound | Andrea King | Foley |
| Crew | Dan Osborne | Armorer |
| Costume & Make-Up | Alison Rainey | Makeup Artist |
| Crew | Thomas Townend | Second Unit Cinematographer |
| Visual Effects | Pedro Sabrosa | Visual Effects Supervisor |
| Lighting | Julian White | Gaffer |
| Sound | Ben Barker | Sound Effects Editor |
| Costume & Make-Up | Jacqueline Fowler | Hair Designer |
| Visual Effects | Bob Hollow | Special Effects Supervisor |
| Visual Effects | Michael Stanish | Visual Effects Producer |
| Sound | James Bellamy | Music Editor |
| Lighting | Alan Grayley | Rigging Gaffer |
| Sound | Matt Biffa | Music Supervisor |
| Crew | Paul Hyman | Visual Effects Editor |
| Editing | Nina Hartstone | Dialogue Editor |
| Sound | Gillian Dodders | Supervising Sound Editor |
| Art | Caroline Bateman | Art Department Assistant |
| Art | Chris Lowe | Art Direction |
| Crew | Nigel Bunyan | Visual Effects Editor |
| Costume & Make-Up | Jacqueline Fowler | Makeup Designer |
| Directing | Sally Jones | Script Supervisor |
| Lighting | Martin Duncan | Gaffer |
| Camera | Simon Baker | Camera Operator |
| Sound | Jack Stew | Foley |
| Sound | Tom Sayers | Supervising Sound Editor |
| Sound | Rob Huckle | Dolby Consultant |
| Camera | Dean Rogers | Still Photographer |
| Costume & Make-Up | Abigail Edwards | Makeup Artist |
| Art | Gemma Ryan | Set Decoration |
| Crew | Denzil Armour-Brown | Second Unit Cinematographer |
| Visual Effects | Pete Jones | Visual Effects Coordinator |
| Sound | Richard Pryke | Sound Re-Recording Mixer |
| Sound | Ian Tapp | Sound Re-Recording Mixer |
| Costume & Make-Up | Kelly Marazzi | Hairstylist |
| Costume & Make-Up | Kelly Marazzi | Makeup Artist |
| Editing | Mike Morrison | Digital Intermediate |
| Editing | Gavin Round | Digital Intermediate |
| Sound | Simon Hayes | Production Sound Mixer |
| Sound | Ed Colyer | Foley Mixer |
| Sound | Glenn Freemantle | Sound Assistant |
| Sound | Glen Gathard | Assistant Foley Artist |
| Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Costume & Make-Up | Nadia Stacey | Makeup Artist |
| Crew | Pete Ford | Stunt Double |
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