In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. O'Neal to look into the case. For some time, O'Neal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
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Writing | Jay Dratler | Screenplay |
Production | Otto Lang | Producer |
Writing | James P. McGuire | Writer |
Sound | Alfred Newman | Original Music Composer |
Camera | Joseph MacDonald | Director of Photography |
Writing | Quentin Reynolds | Adaptation |
Writing | Jerome Cady | Screenplay |
Writing | Leonard Hoffman | Adaptation |
Editing | J. Watson Webb Jr. | Editor |
Directing | Henry Hathaway | Director |
Costume & Make-Up | Ben Nye | Makeup Artist |
Production | Darryl F. Zanuck | Executive Producer |
Art | Walter M. Scott | Set Decoration |
Art | Lyle R. Wheeler | Art Direction |
Costume & Make-Up | Kay Nelson | Costume Design |
Art | Thomas Little | Set Decoration |
Art | Mark-Lee Kirk | Art Direction |
Directing | Joseph E. Rickards | Assistant Director |
Visual Effects | Fred Sersen | Visual Effects |
Sound | Alfred Newman | Music Director |
Directing | Stanley K. Scheuer | Script Supervisor |
Camera | Paul Russell | Still Photographer |
Production | Raymond A. Klune | Production Manager |
Sound | Roger Heman Sr. | Sound |
Costume & Make-Up | Sam Benson | Wardrobe Designer |
Costume & Make-Up | Dick Smith | Makeup Artist |
Crew | James P. McGuire | Technical Advisor |
Sound | W.D. Flick | Sound |
Writing | Jack McPhaul | Story Consultant |
Costume & Make-Up | Thomas Tuttle | Makeup Artist |
Costume & Make-Up | Charles LeMaire | Wardrobe Master |
Camera | Frank Cory | Grip |
Camera | Til Gabani | Camera Operator |
Sound | Edward B. Powell | Orchestrator |
Costume & Make-Up | Myrtle Ford | Hairstylist |
Camera | Jerry Milligan | Still Photographer |
Production | Sam Wurtzel | Production Manager |
Directing | Abe Steinberg | Assistant Director |
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