Set in 1930s China, the film details the trials of a group of athletes who desire to compete in the Olympic Games. There’s a snag, however. The full amount required to send them abroad for the games is 600,000 dollars, and the government is only sponsoring half. It falls to the athletes to raise the rest themselves, and they start by saving every last penny they earn. They also attempt to raise the money through a variety of fund-raising activities, including street performances, networking for donations, and probably a bake sale, too. After deciding to fund their own way to the games, the athletes take to the streets to perform all manner of athletic demonstrations and martial arts moves in an energetic and impromptu street fair.
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Directing | Ronald Wong | Script Supervisor |
Directing | Tsui Siu-Ming | Director |
Writing | Tai Tak-Kwong | Writer |
Production | Tsui Siu-Ming | Producer |
Writing | Jill Leung Lai-Yin | Writer |
Production | Lee Fung-Ming | Producer |
Writing | Fong Sai-Keung | Writer |
Directing | Lemmon Wong Lai-Man | First Assistant Director |
Camera | Ko Chiu-Lam | Director of Photography |
Costume & Make-Up | Bobo Ng Bo-Ling | Costume Designer |
Writing | Tsui Siu-Ming | Writer |
Directing | Benz Kong To-Hoi | Action Director |
Production | Tom Cheung Ga-Lung | Producer |
Directing | Pad Chan Wai-Hung | Second Assistant Director |
Lighting | Wu Tin-Yan | Lighting Technician |
Crew | Tsui Siu-Ming | Martial Arts Choreographer |
Sound | Yuen Ting-Yip | Sound Re-Recording Mixer |
Sound | Yuen Ting-Yip | Sound Designer |
Sound | Davy To Burnard | ADR Recordist |
Sound | Davy To Burnard | Foley Recordist |
Editing | Wong Wing-Ming | Editor |
Sound | Lam Hon-Chiu | Foley |
Crew | Shirley Yung Sau-Lan | Post-Production Manager |
Sound | Yu Chi-Man | Foley |
Sound | Lam Wai-Shun | Foley |
Sound | Yiu Chun-Hin | ADR Recordist |
Sound | Kwong Wai-Hung | Foley |
Sound | Kinson Tsang King-Cheung | Sound Designer |
Sound | Yiu Chun-Hin | Foley Editor |
Sound | Au Chun-Wang | Foley |
Visual Effects | Peony Lam Pik-Man | Visual Effects Coordinator |
Sound | Terry Shek Chun-Kin | Foley Editor |
Sound | Henry Yam Kwong-Heung | Foley |
Sound | Wong Tsz-Kin | ADR Recordist |
Production | Wang Zhongjun | Executive Producer |
Production | Stephen Ng Tin-Hoi | Executive Producer |
Art | Fred Chan Tze-Chung | Production Design |
Sound | Lincoln Lo Kin | Original Music Composer |
Visual Effects | Stephen Ma Man-Yin | Visual Effects Supervisor |
Production | Li Bin | Line Producer |
Production | Ho Ching | Line Producer |
Directing | Lee Kung-Lok | Second Unit Director |
Directing | Yan Shibiao | Second Assistant Director |
Art | Smith Cheung Kwok-Wai | Storyboard Artist |
Production | Wang Shunjiang | Location Manager |
Crew | Wen Xiaoxi | Cinematography |
Costume & Make-Up | Ke Qian | Makeup Artist |
Costume & Make-Up | Ji Conglan | Hairstylist |
Art | Jin Mingcai | Props |
Sound | Lam Chi-Yan | Sound Recordist |
Production | Peggy Lai Pik-Yee | Production Coordinator |
Production | Tina Chow Kit-Ting | Production Coordinator |
Sound | Cheung Wing-Sze | Foley Recordist |
Sound | Yuen Ting-Yip | Dialogue Editor |
Sound | Lee Chun-Chung | Dialogue Editor |
Writing | Ronald Wong | Story |
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