It's the true-life story of legendary track star Steve Prefontaine, the exciting and sometimes controversial "James Dean of Track," whose spirit captured the heart of the nation! Cocky, charismatic, and tough, "Pre" was a running rebel who defied rules, pushed limits ... and smashed records ...
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| Directing | Steve James | Director |
| Costume & Make-Up | Tom Bronson | Costume Design |
| Art | Carol Winstead Wood | Production Design |
| Production | Irby Smith | Producer |
| Production | Shelly Glasser | Co-Producer |
| Production | Pam Dixon | Casting |
| Sound | Mary Ramos | Music Supervisor |
| Sound | Michelle Kuznetsky Silverman | Music Supervisor |
| Production | Peter Gilbert | Producer |
| Sound | Mason Daring | Original Music Composer |
| Production | Jon Lutz | Producer |
| Costume & Make-Up | Ronald Leamon | Costume Supervisor |
| Writing | Eugene Corr | Screenplay |
| Crew | Kathy Jarvis | Stunts |
| Production | Beth DePatie | Unit Production Manager |
| Directing | Jeanne Caliendo | First Assistant Director |
| Art | Gregory A. Weimerskirch | Art Direction |
| Editing | Peter C. Frank | Editor |
| Art | Nina Bradford | Set Decoration |
| Camera | Peter Gilbert | Director of Photography |
| Crew | Rusty Hanson | Stunts |
| Art | Chris Karges | Leadman |
| Camera | Peter Kuttner | First Assistant Camera |
| Crew | Chris Howell | Stunt Coordinator |
| Crew | Ron Sarchian | Stunts |
| Costume & Make-Up | Marienne O'Brien | Costumer |
| Crew | Stan Barrett | Stunt Coordinator |
| Editing | Suzanne Suffredin | Editor |
| Production | Mark Doonan | Producer |
| Crew | Ron Otis | Stunts |
| Editing | Jim Williams | Color Timer |
| Costume & Make-Up | Mary L. Pyanowski | Key Hair Stylist |
| Directing | Jay Smith | Second Assistant Director |
| Production | Pam Dixon | Associate Producer |
| Crew | Stanton Barrett | Stunts |
| Sound | Andre Perreault | Sound Re-Recording Mixer |
| Sound | T.W. Davis | Sound Re-Recording Mixer |
| Camera | Robert Zuckerman | Still Photographer |
| Sound | James Troutman | Supervising Sound Editor |
| Production | Michele Carmel Long | Production Coordinator |
| Camera | Robin Buerki | "B" Camera Operator |
| Sound | Dan Thomas | Sound Effects Editor |
| Sound | Robert Marts | Production Sound Mixer |
| Art | Neil McLeod | Property Master |
| Camera | Bruce Birmelin | Still Photographer |
| Sound | Jeffrey L. Sandler | Dialogue Editor |
| Sound | Clancy T. Troutman | Supervising Sound Editor |
| Sound | Brett Grant-Grierson | Boom Operator |
| Editing | John Helde | First Assistant Editor |
| Sound | Sean Keegan | ADR Mixer |
| Sound | Stuart Goetz | Music Editor |
| Sound | Jason England | Assistant Sound Editor |
| Crew | Tom Knott | Special Effects Coordinator |
| Camera | Robin Buerki | Steadicam Operator |
| Sound | Michael P. Cook | Dialogue Editor |
| Lighting | Mike Moyer | Gaffer |
| Lighting | Colleen Kingdon | Best Boy Electric |
| Directing | Barbara Tuss | Script Supervisor |
| Sound | Glen Auchinachie | Sound Effects Editor |
| Sound | T.W. Davis | ADR Mixer |
| Art | Alun Vick | Construction Coordinator |
| Crew | Paul E. Stroh | Transportation Coordinator |
| Art | Randal R. Groves | Construction Foreman |
| Crew | Don Haggerty | Transportation Captain |
| Visual Effects | Steven R. Benson | Visual Effects Supervisor |
| Costume & Make-Up | Bill Corso | Makeup Designer |
| Writing | Steve James | Screenplay |
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