When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
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Directing | Jorge Fons | Director |
Writing | Vicente Leñero | Novel |
Writing | Jorge Fons | Screenplay |
Writing | Luis Carrión | Screenplay |
Production | Marco Silva | Producer |
Production | Leopoldo Silva | Producer |
Editing | Eufemio Rivera | Editor |
Directing | Mario Llorca | Assistant Director |
Editing | Víctor Mondragón | Assistant Editor |
Sound | Gustavo César Carrión | Original Music Composer |
Art | Xavier Rodríguez | Production Design |
Camera | Carlos Montaño | Camera Operator |
Costume & Make-Up | Carmen Palomino | Makeup Artist |
Sound | Jesús González Gancy | Sound |
Production | Luis García de León | Production Manager |
Costume & Make-Up | Guadalupe Gorráez | Hairstylist |
Sound | Abraham Cruz | Sound Editor |
Art | Rafael Suárez | Set Decoration |
Sound | Ángel Trejo | Sound Recordist |
Camera | Álex Phillips Jr. | Director of Photography |
Camera | Othón Argumedo | Still Photographer |
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