From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.
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Directing | Bernard Gosselin | Director |
Directing | Pierre Perrault | Director |
Directing | Michel Brault | Director |
Production | Jacques Bobet | Producer |
Sound | Claude Pelletier | Sound |
Sound | Serge Beauchemin | Sound |
Sound | Jacques Jarry | Sound |
Production | Guy L. Coté | Producer |
Sound | Raymond Gagnon | Music |
Visual Effects | Clorinda Warny | Animation |
Camera | Michel Brault | Director of Photography |
Sound | Jean-Baptiste Gagnon | Music |
Camera | Bernard Gosselin | Director of Photography |
Visual Effects | Co Hoedeman | Animation |
Camera | Gilles Blais | Assistant Camera |
Camera | Pierre Perrault | Director of Photography |
Sound | Aimé Gagnon | Music |
Camera | Alain Dostie | Assistant Camera |
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