Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
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Writing | Gerold Frank | Novel |
Camera | Richard H. Kline | Director of Photography |
Directing | Richard Fleischer | Director |
Editing | Marion Rothman | Editor |
Production | Robert Fryer | Producer |
Writing | Edward Anhalt | Screenplay |
Sound | Lionel Newman | Original Music Composer |
Directing | David Hall | Assistant Director |
Art | Stuart A. Reiss | Set Decoration |
Art | Walter M. Scott | Set Decoration |
Production | Eric Stacey | Unit Production Manager |
Sound | David Dockendorf | Sound |
Production | James Cresson | Associate Producer |
Art | Richard Day | Art Direction |
Art | Raphael Bretton | Set Decoration |
Art | Jack Martin Smith | Art Direction |
Sound | Don J. Bassman | Sound |
Crew | Glenn R. Wilder | Stunts |
Crew | Charlie Picerni | Stunts |
Crew | Walter Scott | Stunts |
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