New York in the 1920s. Max Perkins, a literary editor is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer falls into his hands, Perkins is convinced he has discovered a literary genius.
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Directing | Michael Grandage | Director |
Art | Phil Bull | Standby Property Master |
Production | Jina Jay | Casting |
Production | James Bierman | Producer |
Production | Michael Grandage | Producer |
Production | John Logan | Producer |
Camera | Ben Davis | Director of Photography |
Sound | Adam Cork | Original Music Composer |
Writing | John Logan | Screenplay |
Writing | A. Scott Berg | Book |
Costume & Make-Up | Jane Petrie | Costume Design |
Editing | Chris Dickens | Editor |
Art | Mark Digby | Production Design |
Writing | A. Scott Berg | Novel |
Art | Elo Soode | Concept Artist |
Art | Elo Soode | Conceptual Design |
Production | James J. Bagley | Executive Producer |
Costume & Make-Up | Christine Blundell | Makeup Artist |
Costume & Make-Up | Laura Morse | Makeup Artist |
Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
Art | Alex Baily | Art Direction |
Art | Gareth Cousins | Art Direction |
Art | Michelle Day | Set Decoration |
Production | A. Scott Berg | Executive Producer |
Production | Tim Bevan | Executive Producer |
Production | Nik Bower | Executive Producer |
Production | Tim Christian | Executive Producer |
Production | Ivan Dunleavy | Executive Producer |
Production | Arielle Tepper Madover | Executive Producer |
Production | Deepak Nayar | Executive Producer |
Production | Tracey Seaward | Producer |
Sound | Lilly Blazewicz | Assistant Foley Artist |
Sound | Glen Gathard | Foley Mixer |
Sound | Jack Stew | Foley Artist |
Sound | Andrea King | Foley Artist |
Sound | Jemma Riley-Tolch | Foley Mixer |
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