In the late 1960s, the Beach Boys' Brian Wilson stops touring, produces "Pet Sounds" and begins to lose his grip on reality. By the 1980s, under the sway of a controlling therapist, he finds a savior in Melinda Ledbetter.
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| Directing | Bill Pohlad | Director |
| Writing | Oren Moverman | Screenplay |
| Camera | Robert D. Yeoman | Director of Photography |
| Crew | Tim Rigby | Stunts |
| Crew | Kenny Wormald | Choreographer |
| Sound | Rene Defrancesch | Utility Sound |
| Directing | Thomas Patrick Smith | First Assistant Director |
| Costume & Make-Up | Cyndra Dunn | Hair Department Head |
| Art | Paul Ford | Set Dresser |
| Camera | Doug Price | Second Assistant Camera |
| Camera | Henry Tirl | Steadicam Operator |
| Costume & Make-Up | Zoe Hay | Key Makeup Artist |
| Camera | Casey Hotchkiss | "B" Camera Operator |
| Art | Will Blount | Property Master |
| Art | Cheryl Gould Strang | Leadman |
| Camera | Richard Boyle | Best Boy Grip |
| Art | Amina Allean Dieye | Set Dressing Buyer |
| Crew | Anthony Simonaitis | Special Effects Coordinator |
| Crew | Rick Hicks | Marine Coordinator |
| Production | Ann Ruark | Unit Production Manager |
| Directing | Robert E. Kay | Second Assistant Director |
| Camera | Nick Infield | First Assistant Camera |
| Sound | Robert Jackson | Boom Operator |
| Camera | Bruce Carothers | Grip |
| Camera | William J. McDevitt | Grip |
| Lighting | Alan Frazier | Electrician |
| Lighting | Matthew Thomas Moles | Key Rigging Grip |
| Art | Ellen Lampl | Graphic Designer |
| Costume & Make-Up | Annalisa Adams | Assistant Costume Designer |
| Costume & Make-Up | Caroline Patterson | Costumer |
| Crew | Gerry Robert Byrne | Post Production Supervisor |
| Lighting | Michael Kennedy | Electrician |
| Art | Candice Muriedas | Art Department Coordinator |
| Costume & Make-Up | Alessandro Bertolazzi | Makeup Department Head |
| Costume & Make-Up | Martin Samuel | Hair Department Head |
| Art | Richard J. Bell | Greensman |
| Camera | Diana Ulzheimer | Camera Loader |
| Camera | Joseph Dianda | Key Grip |
| Production | Blake Nabavi | Assistant Production Coordinator |
| Camera | Noah Thomson | Second Assistant Camera |
| Camera | Chris Haarhoff | Steadicam Operator |
| Lighting | Kevin J. Lang | Rigging Gaffer |
| Production | Alex G. Scott | Production Supervisor |
| Costume & Make-Up | Danny Vick | Costumer |
| Costume & Make-Up | Karen Zanki | Hairstylist |
| Art | Jim Stubblefield | Property Master |
| Art | Dave DeGaetano | Construction Coordinator |
| Art | Julien Pougnier | Assistant Art Director |
| Costume & Make-Up | Rolf John Keppler | Makeup Artist |
| Costume & Make-Up | Lauren Upshaw | Hairstylist |
| Lighting | Jerry D. Knight | Electrician |
| Art | Cliff Berns | Painter |
| Production | Boyd Wilson | Location Manager |
| Camera | Oliver Ponce | Second Assistant "B" Camera |
| Camera | Dustin VonLossberg | Grip |
| Lighting | John Vecchio | Gaffer |
| Lighting | Craig Molsberry | Best Boy Electric |
| Art | Bradley Rubin | Assistant Art Director |
| Art | Gregory Byrne | Set Dresser |
| Art | Andrew Max Cahn | Art Direction |
| Production | John Wells | Producer |
| Art | Keith P. Cunningham | Production Design |
| Sound | Eugene Gearty | Sound Designer |
| Directing | Scott Peterson | Script Supervisor |
| Sound | Edward Tise | Sound mixer |
| Production | Kerry Barden | Casting |
| Art | Maggie Martin | Set Decoration |
| Production | Jim Lefkowitz | Executive Producer |
| Sound | Nicholas Renbeck | Supervising Sound Editor |
| Sound | Atticus Ross | Original Music Composer |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Production | Erin Sahlstrom | Production Coordinator |
| Production | Claire Rudnick Polstein | Producer |
| Production | Paul Schnee | Casting |
| Production | Oren Moverman | Executive Producer |
| Sound | Eugene Gearty | Sound Re-Recording Mixer |
| Costume & Make-Up | Danny Glicker | Costume Design |
| Production | Bill Pohlad | Producer |
| Production | Ann Ruark | Executive Producer |
| Costume & Make-Up | Charlene Amateau | Costume Supervisor |
| Editing | Dino Jonsäter | Editor |
| Camera | François Duhamel | Still Photographer |
| Sound | Nicholas Renbeck | Music Editor |
| Production | Jim Small | Assistant Location Manager |
| Crew | Heidi Moneymaker | Stunts |
| Crew | Tracy Keehn-Dashnaw | Stunts |
| Production | Sam Patton | Production Assistant |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Steven Visscher | Foley Editor |
| Crew | Jeffrey J. Dashnaw | Stunt Coordinator |
| Directing | Jeffrey J. Dashnaw | Second Unit Director |
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