In 1916, the New Zealand Government secretly shipped 14 of the country's most outspoken conscientious objectors to the Western Front in an attempt to convert, silence, or quite possibly kill them. This is their story.
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| Crew | Corry Greig | Scenic Artist |
| Costume & Make-Up | Jane O'Kane | Key Hair Stylist |
| Costume & Make-Up | Claire Wollburg | Makeup & Hair |
| Sound | Kyle Griiffiths | Boom Operator |
| Costume & Make-Up | Jane O'Kane | Hair Designer |
| Camera | Ulric Raymond | Camera Operator |
| Lighting | Alan Wilson | Best Boy Electric |
| Art | Donna Marinkovich | Set Decoration |
| Visual Effects | Brendon Durey | Special Effects Supervisor |
| Costume & Make-Up | Kirsty Cameron | Costume Designer |
| Camera | David Paul | Director of Photography |
| Directing | Tarita Baque | Third Assistant Director |
| Camera | Daniela Conforte | Second Assistant Camera |
| Camera | Caleb Wharepapa | Grip |
| Art | Nigel Tweed | Construction Manager |
| Costume & Make-Up | Danielle Orme | Hairdresser |
| Art | Petelo Vaihu | Art Direction |
| Costume & Make-Up | Jane O'Kane | Makeup Designer |
| Art | Christian Holden | Art Department Coordinator |
| Costume & Make-Up | Suzy Lee | Makeup & Hair |
| Camera | Dave Garbett | Steadicam Operator |
| Camera | Hamish McIntyre | Key Grip |
| Costume & Make-Up | Lucy McLay | Assistant Costume Designer |
| Costume & Make-Up | Tamara Eyre | Makeup & Hair |
| Costume & Make-Up | Natasha Lees | Hairdresser |
| Production | Desray Armstrong | Production Manager |
| Camera | Hadley Parsons | Digital Imaging Technician |
| Camera | Jonny Yarrell | First Assistant Camera |
| Costume & Make-Up | Kendal Ferguson | Makeup & Hair |
| Costume & Make-Up | Shay Lawrence | Prosthetic Makeup Artist |
| Costume & Make-Up | Joanne Marie Baker | Hairdresser |
| Lighting | Adrian Hebron | Gaffer |
| Costume & Make-Up | Jane O'Kane | Key Makeup Artist |
| Crew | Tyrone Costelloe | Stunts |
| Production | Natalie Doherty | Production Accountant |
| Production | Olivia Scott-Webb | Production Coordinator |
| Directing | Anna Gundesen | First Assistant Director |
| Crew | Noel Burke Gaffney | Scenic Artist |
| Production | Benny Tatton | Location Manager |
| Camera | Maurice Kapua | Best Boy Grip |
| Directing | Paddy Compter | Second Assistant Director |
| Art | George Hamilton | Art Direction |
| Editing | Kerri Roggio | Assistant Editor |
| Crew | Daniel Andrews | Stunts |
| Sound | Mike Bayliss | Dialogue Editor |
| Editing | Clare Burlinson | Colorist |
| Sound | Steve Finnigan | Sound Supervisor |
| Crew | Tony Marsh | Stunts |
| Sound | Steve Finnigan | ADR Supervisor |
| Sound | Franklin Road | Music Supervisor |
| Sound | Victoria Kelly | Original Music Composer |
| Sound | Jonathan Hughes | Music Supervisor |
| Production | Angela Littlejohn | Line Producer |
| Production | Tina Cleary | Casting |
| Sound | Steve Finnigan | Supervising Sound Editor |
| Editing | Paul Maxwell | Editor |
| Costume & Make-Up | Suzy Lee | Makeup Artist |
| Sound | James Hayday | Sound Designer |
| Sound | Brock Sibbick | Sound Editor |
| Sound | Thomas Miskin | Sound Re-Recording Mixer |
| Directing | Hayley Abbott | Script Supervisor |
| Production | Paula Boock | Producer |
| Costume & Make-Up | Kirsty Cameron | Costume Design |
| Costume & Make-Up | Lucy McLay | Costume Supervisor |
| Writing | Donna Malane | Writer |
| Writing | Paula Boock | Writer |
| Production | Donna Malane | Producer |
| Sound | Victoria Kelly | Music |
| Directing | Peter Burger | Director |
| Art | Miro Harre | Production Design |
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