Barnaby and Maxine Pierce, an embattled married couple in Connecticut, are on the verge of divorce. Their son is getting married in California and they decide to drive across the country to attend. Along the way, as they visit family and friends, they reflect on their tattered relationship and the events that transpired to create the estrangement.
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| Directing | Paul Mazursky | Director |
| Art | Joshu de Cartier | Art Direction |
| Art | Jason Graham | First Assistant Art Direction |
| Costume & Make-Up | Anne Dixon | Costume Designer |
| Directing | Michelle Morris | Second Assistant Director |
| Production | Ted Miller | Production Manager |
| Art | Jim Lambie | Set Decoration |
| Crew | Joel Harris | Stunt Coordinator |
| Directing | Tom Willey | First Assistant Director |
| Lighting | Lee Guenette | Gaffer |
| Lighting | Mike Gillan | Electrician |
| Camera | James Grant | Grip |
| Art | Patrick Tarr | Set Dresser |
| Art | Kate Grant | Assistant Property Master |
| Production | Virginia Alves | First Assistant Accountant |
| Art | David Gruer | Lead Set Dresser |
| Art | Zane Griffin | Set Dresser |
| Art | Kenny Meinzinger | Property Master |
| Camera | Brian Potts | Key Grip |
| Camera | Joe McCormack | Best Boy Grip |
| Camera | Michael John | Dolly Grip |
| Crew | Eva Anastasiu | Actor's Assistant |
| Costume & Make-Up | Mary Sue Heron | Key Makeup Artist |
| Production | Sherry Bondy | Production Coordinator |
| Production | Karen de Montbrun | Production Accountant |
| Costume & Make-Up | Susan Exton-Stranks | Key Hair Stylist |
| Art | James McCrindle | Set Dresser |
| Directing | Lori Roussell | Script Supervisor |
| Directing | Lori Mather-Welch | Third Assistant Director |
| Costume & Make-Up | Julie O'Brien | Assistant Costume Designer |
| Art | Rick Gilbert | Set Buyer |
| Camera | Mark Giles | Second Assistant Camera |
| Lighting | Curtis Clark | Electrician |
| Camera | Andrew Ois | Camera Trainee |
| Crew | J.W. Lee Ionson | Generator Operator |
| Camera | Gordon Clarke | Grip |
| Sound | Matthew Stark | Boom Operator |
| Camera | Daniel Sauvé | Camera Operator |
| Camera | Diana Alvarez | First Assistant Camera |
| Lighting | Omid Vahid | Best Boy Electric |
| Production | Beverley Kolbe | Location Manager |
| Sound | Bill McMillan | Sound Recordist |
| Production | James Fraser | Assistant Production Coordinator |
| Crew | Amy Wright | Choreographer |
| Production | Michael Deyo | Production Assistant |
| Production | Ronan Quinn | Production Assistant |
| Camera | Ken Woroner | Still Photographer |
| Production | Ian Smith | Assistant Location Manager |
| Costume & Make-Up | Tracy Bentley | Assistant Makeup Artist |
| Crew | Tami Wineberg | Unit Publicist |
| Editing | Roger Fenton | Assistant Editor |
| Crew | David Bailey | Post Production Supervisor |
| Production | Michael Jannetta | Assistant Location Manager |
| Art | Allan Westlake | Construction Coordinator |
| Art | Connie Buck | Set Supervisor |
| Production | Donna Dupere | Extras Casting |
| Production | Sara Kay | Casting Assistant |
| Crew | Eyoalha Baker | Craft Service |
| Crew | Chad Tomasoski | Post Production Supervisor |
| Sound | Carlos Delarios | Sound Re-Recording Mixer |
| Crew | Kevin Patrick Allen | Craft Service |
| Crew | Tim Good | Special Effects Coordinator |
| Production | Linda Gillespie | Post Production Accountant |
| Costume & Make-Up | Leanne Morrison | Assistant Hairstylist |
| Crew | Paul Thorpe | Transportation Captain |
| Production | Nicole Hilliard-Forde | Casting Associate |
| Crew | Jane Conway | Animal Wrangler |
| Sound | Robert Nichols II | Sound Recordist |
| Production | Patrick Clark | Post Production Coordinator |
| Sound | James Wright | Dolby Consultant |
| Sound | Robin Urdang | Music Supervisor |
| Sound | Jay Clinton | Assistant Sound Editor |
| Sound | Gus Medina | Foley Mixer |
| Sound | Bill Higley | ADR Mixer |
| Production | Steve Wakefield | Executive In Charge Of Production |
| Crew | Al MacNeil | Transportation Coordinator |
| Editing | Mike Smith | Assistant Editor |
| Production | Renay McGowan | Post Production Coordinator |
| Sound | Daniel J. Johnson | Music Editor |
| Sound | Stephen Grubbs | Supervising Sound Editor |
| Sound | Russ Dewolf | Dialogue Editor |
| Art | Chad Tomasoski | Main Title Designer |
| Crew | Susan Shaw | Driver |
| Sound | Brian Thomas Nist | Sound Effects Editor |
| Sound | David Weisberg | ADR Mixer |
| Crew | John 'Jack' Coupland | Driver |
| Sound | Andrew Ellerd | Sound Effects Editor |
| Sound | Andrew Wright | ADR Mixer |
| Editing | Janice Papadaki | Negative Cutter |
| Production | Tim King | Executive In Charge Of Post Production |
| Sound | Wayne Heitman | Sound Re-Recording Mixer |
| Sound | Dale W. Perry | Foley Artist |
| Crew | Mary Jozsvai | Driver |
| Crew | Mark Johnson | Driver |
| Crew | Al Izumi | Driver |
| Crew | Michael Sanci | Driver |
| Crew | Brian Davey | Driver |
| Crew | Hendrik Riik | Driver |
| Crew | Glen Weller | Driver |
| Editing | Michael Hatzer | Color Timer |
| Art | Andrij Molodecky | Property Master |
| Sound | John Green | Dialogue Editor |
| Production | Janet Hirshenson | Casting |
| Production | Michael Levine | Producer |
| Sound | Bill Conti | Original Music Composer |
| Production | Jane Jenkins | Casting |
| Writing | Frederic Raphael | Screenplay |
| Editing | Richard Halsey | Editor |
| Production | Jerry Leider | Executive Producer |
| Production | Richard Waltzer | Executive Producer |
| Writing | Frederic Raphael | Novel |
| Camera | Jean Lépine | Director of Photography |
| Art | Tamara Deverell | Production Design |
| Production | Robin D. Cook | Casting |
| Directing | J.L. Crosbie | Third Assistant Director |
| Production | Barbara Harris | ADR Voice Casting |
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