Barnaby and Maxine Pierce, an embattled married couple in Connecticut, are on the verge of divorce. Their son is getting married in California and they decide to drive across the country to attend. Along the way, as they visit family and friends, they reflect on their tattered relationship and the events that transpired to create the estrangement.
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| Directing | Paul Mazursky | Director |
| Crew | Joel Harris | Stunt Coordinator |
| Directing | Michelle Morris | Second Assistant Director |
| Art | Jim Lambie | Set Decoration |
| Directing | Tom Willey | First Assistant Director |
| Camera | Brian Potts | Key Grip |
| Camera | James Grant | Grip |
| Production | James Fraser | Assistant Production Coordinator |
| Art | James McCrindle | Set Dresser |
| Art | Joshu de Cartier | Art Direction |
| Costume & Make-Up | Anne Dixon | Costume Designer |
| Art | Jason Graham | First Assistant Art Direction |
| Art | Rick Gilbert | Set Buyer |
| Lighting | Curtis Clark | Electrician |
| Crew | J.W. Lee Ionson | Generator Operator |
| Art | Patrick Tarr | Set Dresser |
| Art | Andrij Molodecky | Property Master |
| Lighting | Mike Gillan | Electrician |
| Directing | Lori Roussell | Script Supervisor |
| Camera | Daniel Sauvé | Camera Operator |
| Sound | Bill McMillan | Sound Recordist |
| Art | David Gruer | Lead Set Dresser |
| Production | Sherry Bondy | Production Coordinator |
| Production | Karen de Montbrun | Production Accountant |
| Art | Kenny Meinzinger | Property Master |
| Art | Kate Grant | Assistant Property Master |
| Camera | Joe McCormack | Best Boy Grip |
| Camera | Michael John | Dolly Grip |
| Camera | Mark Giles | Second Assistant Camera |
| Camera | Gordon Clarke | Grip |
| Lighting | Lee Guenette | Gaffer |
| Lighting | Omid Vahid | Best Boy Electric |
| Production | Ted Miller | Production Manager |
| Camera | Andrew Ois | Camera Trainee |
| Sound | Matthew Stark | Boom Operator |
| Production | Virginia Alves | First Assistant Accountant |
| Art | Zane Griffin | Set Dresser |
| Camera | Diana Alvarez | First Assistant Camera |
| Production | Michael Jannetta | Assistant Location Manager |
| Production | Beverley Kolbe | Location Manager |
| Art | Connie Buck | Set Supervisor |
| Crew | Paul Thorpe | Transportation Captain |
| Crew | Jane Conway | Animal Wrangler |
| Production | Linda Gillespie | Post Production Accountant |
| Costume & Make-Up | Leanne Morrison | Assistant Hairstylist |
| Directing | Lori Mather-Welch | Third Assistant Director |
| Production | Ian Smith | Assistant Location Manager |
| Costume & Make-Up | Mary Sue Heron | Key Makeup Artist |
| Costume & Make-Up | Tracy Bentley | Assistant Makeup Artist |
| Crew | Eva Anastasiu | Actor's Assistant |
| Crew | Eyoalha Baker | Craft Service |
| Art | Allan Westlake | Construction Coordinator |
| Costume & Make-Up | Julie O'Brien | Assistant Costume Designer |
| Production | Ronan Quinn | Production Assistant |
| Production | Sara Kay | Casting Assistant |
| Crew | Tim Good | Special Effects Coordinator |
| Sound | Carlos Delarios | Sound Re-Recording Mixer |
| Crew | Amy Wright | Choreographer |
| Production | Michael Deyo | Production Assistant |
| Costume & Make-Up | Susan Exton-Stranks | Key Hair Stylist |
| Crew | Kevin Patrick Allen | Craft Service |
| Sound | Robin Urdang | Music Supervisor |
| Crew | Chad Tomasoski | Post Production Supervisor |
| Sound | Wayne Heitman | Sound Re-Recording Mixer |
| Camera | Ken Woroner | Still Photographer |
| Sound | Robert Nichols II | Sound Recordist |
| Production | Patrick Clark | Post Production Coordinator |
| Sound | Jay Clinton | Assistant Sound Editor |
| Sound | Gus Medina | Foley Mixer |
| Sound | Andrew Wright | ADR Mixer |
| Editing | Janice Papadaki | Negative Cutter |
| Crew | Al MacNeil | Transportation Coordinator |
| Sound | Andrew Ellerd | Sound Effects Editor |
| Art | Chad Tomasoski | Main Title Designer |
| Sound | Russ Dewolf | Dialogue Editor |
| Crew | Tami Wineberg | Unit Publicist |
| Sound | Bill Higley | ADR Mixer |
| Production | Tim King | Executive In Charge Of Post Production |
| Production | Nicole Hilliard-Forde | Casting Associate |
| Editing | Roger Fenton | Assistant Editor |
| Editing | Mike Smith | Assistant Editor |
| Sound | David Weisberg | ADR Mixer |
| Crew | David Bailey | Post Production Supervisor |
| Editing | Michael Hatzer | Color Timer |
| Production | Donna Dupere | Extras Casting |
| Sound | Dale W. Perry | Foley Artist |
| Production | Renay McGowan | Post Production Coordinator |
| Sound | James Wright | Dolby Consultant |
| Sound | Brian Thomas Nist | Sound Effects Editor |
| Crew | Mark Johnson | Driver |
| Crew | Mary Jozsvai | Driver |
| Crew | Michael Sanci | Driver |
| Crew | Hendrik Riik | Driver |
| Sound | Stephen Grubbs | Supervising Sound Editor |
| Production | Steve Wakefield | Executive In Charge Of Production |
| Crew | Glen Weller | Driver |
| Crew | John 'Jack' Coupland | Driver |
| Crew | Al Izumi | Driver |
| Sound | John Green | Dialogue Editor |
| Sound | Daniel J. Johnson | Music Editor |
| Crew | Susan Shaw | Driver |
| Crew | Brian Davey | Driver |
| Writing | Frederic Raphael | Novel |
| Production | Michael Levine | Producer |
| Production | Robin D. Cook | Casting |
| Production | Jerry Leider | Executive Producer |
| Camera | Jean Lépine | Director of Photography |
| Production | Jane Jenkins | Casting |
| Writing | Frederic Raphael | Screenplay |
| Art | Tamara Deverell | Production Design |
| Editing | Richard Halsey | Editor |
| Production | Janet Hirshenson | Casting |
| Sound | Bill Conti | Original Music Composer |
| Production | Richard Waltzer | Executive Producer |
| Directing | J.L. Crosbie | Third Assistant Director |
| Production | Barbara Harris | ADR Voice Casting |
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