Truman Gates, a Chicago cop, sets out to find his brother's killer. Meanwhile, another of his brothers, Briar (a hillbilly) decides to find the killer himself.
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Directing | John Irvin | Director |
Writing | Michael Jenning | Writer |
Production | Jeb Stuart | Associate Producer |
Production | Sean Susanin | Casting Assistant |
Art | John Warnke | Set Designer |
Production | Don Enright | Producer |
Production | Larry DeWaay | Executive Producer |
Costume & Make-Up | Donfeld | Costume Design |
Production | Mindy Marin | Casting |
Sound | Jack Nitzsche | Music |
Editing | Peter Honess | Editor |
Directing | Dru Anne Carlson | Script Supervisor |
Production | Les Alexander | Producer |
Production | Jane Alderman | Casting |
Production | Shelley Andreas | Casting |
Art | Jim Duffy | Set Decoration |
Art | Jack T. Collis | Production Design |
Production | Scott Maitland | Unit Production Manager |
Camera | John S. Robertson | Dolly Grip |
Camera | Steven Poster | Director of Photography |
Sound | Rex Slinkard | Sound Re-Recording Mixer |
Crew | Walter Scott | Stunt Coordinator |
Costume & Make-Up | Armand Coutu | Costume Supervisor |
Crew | Eddie J. Fernandez | Stunts |
Sound | Richard Whitfield | Music Editor |
Sound | Martin Maryska | Supervising Sound Editor |
Crew | Bob Kurcz | Stunts |
Camera | Jamie Barber | Second Assistant Camera |
Sound | Jackie Krost | Music Supervisor |
Art | Dennis DeWaay | Construction Coordinator |
Art | Joe Pfaltzgraf | Assistant Property Master |
Crew | Stacy Logan | Stunts |
Crew | Bob Minor | Stunts |
Crew | Ben Scott | Stunts |
Crew | John Sherrod | Stunts |
Sound | Rick Alexander | Sound Re-Recording Mixer |
Sound | Susan Dudeck | ADR Editor |
Art | Kenneth Turek | Leadman |
Sound | Jeff Watts | Foley Editor |
Sound | Jeffrey A. Williams | Boom Operator |
Camera | William L. Allen Sr. | Best Boy Grip |
Lighting | Alphonse Blumenthal | Best Boy Electric |
Costume & Make-Up | Jerry Turnage | Hairstylist |
Crew | Charles Croughwell | Stunts |
Sound | John Benson | Sound Effects Editor |
Costume & Make-Up | Art Anthony | Makeup Artist |
Directing | Tony Adler | Second Assistant Director |
Sound | Franklin Jones Jr. | Sound Re-Recording Mixer |
Sound | James Matheny | Dialogue Editor |
Crew | Gene Hartline | Stunts |
Crew | Rick LeFevour | Stunts |
Crew | Mario Roberts | Stunts |
Directing | Bruce Moriarty | First Assistant Director |
Art | Steve Fegley | Construction Foreman |
Art | Aaron Holden | Property Master |
Camera | Dean Williams | Still Photographer |
Crew | Danny Costa | Stunts |
Camera | Peter Kuttner | First Assistant Camera |
Crew | Joe Lombardi | Special Effects Coordinator |
Crew | Tony Brubaker | Stunts |
Camera | Art Bartels | Key Grip |
Crew | Robert Easton | Dialect Coach |
Sound | Ralph Stuart | Assistant Sound Editor |
Crew | Johnny Hock | Stunts |
Crew | Norman Howell | Stunts |
Lighting | James Plannette | Chief Lighting Technician |
Sound | Vern Poore | Sound Re-Recording Mixer |
Editing | Rose Kuo | First Assistant Editor |
Production | Edna Tromans | Publicist |
Sound | Glenn Williams | Sound Mixer |
Crew | R.L. Tolbert | Stunts |
Costume & Make-Up | Jennifer Jobst | Costume Supervisor |
Sound | David Kershenbaum | Music Supervisor |
Lighting | Eugene F. Crededio | Gaffer |
Camera | George Kohut | Camera Operator |
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