Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan—who has joined up on the side that appeals most to idealists of that era—has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a crucial bridge in order to halt the enemy's progress.
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Camera | Ray Rennahan | Director of Photography |
Writing | Ernest Hemingway | Novel |
Production | Buddy G. DeSylva | Executive Producer |
Sound | Victor Young | Original Music Composer |
Production | Sam Wood | Producer |
Directing | Sam Wood | Director |
Writing | Dudley Nichols | Screenplay |
Editing | Natalie Kalmus | Color Grading |
Crew | Farciot Edouart | Special Effects |
Art | William Cameron Menzies | Production Design |
Art | Hans Dreier | Art Direction |
Editing | John F. Link Sr. | Editor |
Crew | Gordon Jennings | Special Effects |
Crew | Jan Domela | Special Effects |
Crew | Irmin Roberts | Special Effects |
Art | Bertram C. Granger | Set Decoration |
Sound | George Parrish | Orchestrator |
Art | Haldane Douglas | Art Direction |
Costume & Make-Up | Wally Westmore | Makeup Artist |
Editing | Sherman Todd | Editor |
Sound | Leo Shuken | Orchestrator |
Art | Robert McCrellis | Props |
Camera | James Grant | Assistant Camera |
Sound | Harold Lewis | Sound Recordist |
Sound | Don Johnson | Sound Recordist |
Art | Jack Colconda | Props |
Directing | Clem Jones | Second Assistant Director |
Costume & Make-Up | Fred Starns | Wardrobe Master |
Costume & Make-Up | Pat Williams | Wardrobe Designer |
Costume & Make-Up | LeVaughn Larson | Wardrobe Master |
Production | Norman Lacey | Location Manager |
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