When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.
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Writing | Ken Wheat | Screenplay |
Production | Tom Engelman | Producer |
Writing | Jim Wheat | Screenplay |
Editing | Rick Shaine | Editor |
Camera | David Eggby | Director of Photography |
Directing | David Twohy | Director |
Camera | Grahame Litchfield | Key Grip |
Camera | Adrien Seffrin | Focus Puller |
Camera | Ricky Schamburg | Clapper Loader |
Camera | Ian 'Thistle' Thorburn | Second Unit Director of Photography |
Camera | David Cordell | Clapper Loader |
Camera | Jack Wareham | Camera Operator |
Production | Anne McCarthy | Casting |
Production | Mary Vernieu | Casting |
Costume & Make-Up | Anna Borghesi | Costume Design |
Production | Ted Field | Executive Producer |
Production | Scott Kroopf | Executive Producer |
Writing | David Twohy | Screenplay |
Production | Tony Winley | Executive Producer |
Writing | Brian Murray | Storyboard |
Directing | Jennifer Rees-Brown | Second Assistant Director |
Writing | Jim Wheat | Story |
Directing | Jamie Crooks | First Assistant Director |
Art | Jacinta Leong | Set Designer |
Visual Effects | Patrick Tatopoulos | Creature Design |
Production | Ann Robinson | Local Casting |
Writing | Ken Wheat | Story |
Camera | Henry Pierce | Camera Operator |
Costume & Make-Up | Margaret Stevenson | Makeup Supervisor |
Writing | Fireball Tim Lawrence | Storyboard |
Directing | Lyn Alice Aronson | Script Supervisor |
Art | Chris Goddard | Standby Painter |
Camera | Derry Field | Camera Operator |
Costume & Make-Up | Jason Baird | Prosthetic Makeup Artist |
Camera | Brad Shield | Camera Operator |
Production | Chris Robson | Production Accountant |
Lighting | Tony Holtham | Gaffer |
Costume & Make-Up | Maree McDonald | Makeup Artist |
Sound | Michael Semanick | Sound Re-Recording Mixer |
Art | Tony Lees | Sculptor |
Editing | Danny Candib | Assistant Editor |
Sound | Michele Perrone | ADR Editor |
Sound | Beau Borders | Assistant Sound Editor |
Sound | Lora Hirschberg | Sound Re-Recording Mixer |
Sound | Michael Axinn | Assistant Sound Editor |
Directing | Peter McLennan | Third Assistant Director |
Editing | Cleo Myles | Assistant Editor |
Costume & Make-Up | Margaret Stevenson | Hair Supervisor |
Camera | Leigh Tait | Grip |
Crew | Michael A. Helfant | Thanks |
Lighting | Adam Williams | Best Boy Electric |
Sound | Scott Guitteau | Assistant Sound Editor |
Sound | Marilyn McCoppen | ADR Editor |
Sound | Mary Works | Assistant Sound Editor |
Production | Freddy Luis | Casting Assistant |
Production | Carrie Campbell | Casting Assistant |
Sound | James Lebrecht | Sound Effects Editor |
Production | Wizzy Ringer | Casting Assistant |
Art | Chris Geissman | Painter |
Art | Stephen Hay | Painter |
Sound | Gary Dixon | Boom Operator |
Sound | E. Larry Oatfield | Sound Effects Editor |
Sound | Mary Helen Leasman | Foley Editor |
Art | Graham 'Grace' Walker | Production Design |
Art | Michael Rumpf | Set Decoration |
Production | Sue MacKay | Unit Production Manager |
Crew | Karen Dimmig | Visual Effects Editor |
Sound | Joshua Winget | Music Editor |
Art | Mark Stephens | Construction Foreman |
Crew | Graham Stumpf | Post Production Supervisor |
Editing | Andrew Blustain | First Assistant Editor |
Production | Michelle Wright | Executive In Charge Of Production |
Production | Barrie Hemsley | Production Coordinator |
Art | Martin Ash | Set Designer |
Sound | Tim Simonec | Orchestrator |
Sound | Robert Shoup | Supervising Sound Editor |
Visual Effects | Brian Cox | Special Effects Supervisor |
Costume & Make-Up | Carolyn Nott | Hairstylist |
Crew | Peter Thompson | Legal Services |
Crew | Allan Mowbray | Armorer |
Art | Ian Gracie | Art Direction |
Crew | David Tremont | Propmaker |
Crew | Chris Anderson | Stunt Coordinator |
Crew | Fiona Searson | Unit Publicist |
Crew | Cameron Curphey | Studio Teachers |
Art | Wayne Truce | Standby Painter |
Sound | Tom Myers | Sound Designer |
Sound | Samuel H. Hinckley | Sound Effects Editor |
Art | Katie Nott | Art Department Coordinator |
Art | Jim Millett | Assistant Art Director |
Art | Daryl Porter | Leadman |
Crew | David C. Hughes | Sound Design Assistant |
Camera | Brad Shield | Steadicam Operator |
Camera | Sean Barnes | Still Photographer |
Costume & Make-Up | Scott McMaster | Set Dressing Artist |
Editing | Dan Muscarella | Color Timer |
Production | Campbell McLean | Location Manager |
Visual Effects | Peter Chiang | Visual Effects Supervisor |
Art | John Rann | Construction Coordinator |
Sound | Rod Conder | Boom Operator |
Writing | Jason Brubaker | Storyboard |
Costume & Make-Up | Keryn Ribbands | Costume Supervisor |
Crew | Jonathan Bader | Thanks |
Crew | Clair Crowther | Dialect Coach |
Sound | Graeme Revell | Original Music Composer |
Directing | Kira Bohn | Continuity |
Production | Melanie Turner | Production Runner |
Costume & Make-Up | Julie Zahra | Costume Standby |
Production | Kerry Mulgrew | Production Secretary |
Production | Terri Douglas | ADR Voice Casting |
Production | Lori Sier | Post Production Accountant |
Production | Melaini Lewis | Production Secretary |
Production | Leah Holmes | Post Production Accountant |
Crew | Andrew Pantelis | Stand In |
Production | Rowena Zande | Production Assistant |
Production | Darcy Yuille | Production Runner |
Production | Nick McKinnon | Production Runner |
Production | Vampyre Wilson | Casting Associate |
Production | Arwen Munro | Production Secretary |
Crew | Suzanne McAllister | Stand In |
Production | Michelle Russell | Production Coordinator |
Production | Jennifer Cornwell | Production Coordinator |
Crew | Peter Thompson | Legal Services |
Crew | Raymond Leef | Stand In |
Production | Angela Kenny | Accountant |
Production | Stephen Taylor | First Assistant Accountant |
Crew | Dan O'Connor | Stand In |
Directing | Karen Mansfield | Continuity |
Production | Ange Lavey-Manche | Production Secretary |
Crew | Wayne Williams | Stand In |
Camera | Nick Murray | Camera Trainee |
Directing | Michael Bate | Assistant Director |
Crew | Patrick Carmiggelt | Special Effects Technician |
Directing | Ian 'Thistle' Thorburn | Second Unit Director |
Sound | Roger Morris | ADR Mixer |
Camera | John Balbi | Assistant Grip |
Directing | Angella McPherson | Second Second Assistant Director |
Sound | Dennie Thorpe | Foley Artist |
Sound | Frank 'Pepe' Merel | Foley Recordist |
Lighting | Todd Carmody | Assistant Electrician |
Camera | Rick Johnson | Best Boy Grip |
Crew | Steve Rungwerth | Special Effects Assistant |
Camera | Daniel Clark | Clapper Loader |
Sound | Tony Eckert | Foley Mixer |
Editing | Jo Anne Finan | Negative Cutter |
Production | Eleonore Crompton | Production Accountant |
Visual Effects | Paul Riddle | Digital Compositor |
Sound | Graeme Revell | Conductor |
Visual Effects | Angie Wills | Digital Effects Producer |
Lighting | Timothy 'Guido' Magaraci | Assistant Chief Lighting Technician |
Visual Effects | Steve Street | CG Artist |
Production | Lorisa D. Francis | Post Production Coordinator |
Sound | Paul Haslinger | Music Arranger |
Crew | Brownyn Hookey | Catering |
Lighting | Robert Sassen | Chief Lighting Technician |
Production | Jeremy 'JJ' Piggott | Assistant Unit Manager |
Camera | Brett Matthews | Focus Puller |
Art | Beverley Dunn | Property Master |
Sound | Gloria D'Alessandro | Dialogue Editor |
Sound | Paul 'Salty' Brincat | Sound Recordist |
Sound | Karen G. Wilson | Dialogue Editor |
Sound | Lindakay Brown | Dialogue Editor |
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