Mobster "Baby Face" Martin returns home to visit the New York neighborhood where he grew up, dropping in on his mother, who rejects him because of his gangster lifestyle, and his old girlfriend, Francey, now a syphilitic prostitute. Martin also crosses paths with Dave, a childhood friend struggling to make it as an architect, and the Dead End Kids, a gang of young boys roaming the streets of the city's East Side slums.
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Writing | Sidney Kingsley | Theatre Play |
Writing | Lillian Hellman | Screenplay |
Directing | William Wyler | Director |
Art | Julia Heron | Set Decoration |
Costume & Make-Up | Omar Kiam | Costume Design |
Art | Richard Day | Art Direction |
Production | Samuel Goldwyn | Producer |
Editing | Daniel Mandell | Editor |
Crew | James Basevi | Special Effects |
Camera | Gregg Toland | Director of Photography |
Sound | Alfred Newman | Original Music Composer |
Crew | Samuel Goldwyn | Presenter |
Writing | Frank P. Goodnow | Dialogue |
Crew | Fred Graham | Stunts |
Directing | Edmond F. Bernoudy | Assistant Director |
Sound | Frank Maher | Sound Recordist |
Sound | Edward B. Powell | Orchestrator |
Sound | Alfred Newman | Music Director |
Production | Merritt Hulburd | Associate Producer |
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