Harry Wingate, a rugged adventurer, is hired by a gem collector to retrieve a priceless opal, known as "The Blue Lightning," from Lester McInally, a super-criminal with an army of killers operating in the Australian outback.
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Production | Ross Matthews | Producer |
Production | Danny Lockett | Assistant Unit Manager |
Directing | Michael Bourchier | First Assistant Director |
Crew | Brian Cox | Special Effects |
Camera | Anna Howard | Assistant Camera |
Crew | Peter Collias | Scenic Artist |
Crew | Lyddy Van Gyen | Stunt Double |
Production | William Kelley | Co-Producer |
Art | Rowan McKenzie | Runner Art Department |
Editing | Ted Otton | Editor |
Costume & Make-Up | Francia Smeets | Hairstylist |
Directing | Jake Atkinson | Second Assistant Director |
Sound | Philip Dickson | Assistant Sound Editor |
Sound | Tim Lloyd | Sound Recordist |
Crew | David Young | Special Effects |
Production | Andrew W. Morse | Production Manager |
Art | Sue Hoyle | Property Buyer |
Crew | Greg Cornell | Stunt Double |
Camera | Robin Morgan | Key Grip |
Production | Steve Macagnan | Unit Manager |
Crew | Chuck Creswell | Carpenter |
Art | Christina Norman | Art Department Coordinator |
Crew | Joe Reitzenstein | Carpenter |
Crew | Andy Tickner | Carpenter |
Sound | Zsolt Kollanyi | Supervising Sound Editor |
Crew | Steve Volich | Special Effects |
Crew | Johnny Hallyday | Stunt Double |
Production | Terry Slack | Location Manager |
Art | John Osborne | Standby Property Master |
Crew | Derek Wyness | Carpenter |
Camera | Martin Turner | Focus Puller |
Editing | Mandy Hanak | Assistant Editor |
Production | Greg Coote | Executive Producer |
Art | Monette Lee | Property Buyer |
Art | Monette Lee | Set Dresser |
Crew | Glenn Boswell | Stunt Coordinator |
Crew | Marc Mercury | Stunts |
Lighting | Trevor Toune | Gaffer |
Editing | Tony Manning | Color Grading |
Production | Matt Carroll | Executive Producer |
Camera | Geoffrey Simpson | Director of Photography |
Directing | Nick Alimede | Third Assistant Director |
Camera | Jon Goldney | Grip |
Crew | Brian Burns | Armorer |
Crew | Chris Norman | Carpenter |
Crew | David Tuckwell | Scenic Artist |
Crew | Michael Read | Stunt Double |
Crew | Marijke Rikki van Gyen | Stunt Double |
Production | Ellen Meyer | Casting |
Directing | Jackie Sullivan | Continuity |
Production | Liz Mullinar | Casting |
Costume & Make-Up | Vivien Mepham | Makeup Artist |
Crew | Andy McKey | Carpenter |
Sound | David Rae | Assistant Sound Editor |
Production | Alan P. Sloan | Executive Producer |
Art | Chris Breckwoldt | Production Design |
Crew | Roland Gewin | Carpenter |
Art | Danny Rollston | Construction Manager |
Sound | Karin Whittington | Assistant Sound Editor |
Visual Effects | Steve Courtley | Special Effects Supervisor |
Art | Sid Billington | Sign Painter |
Art | Eugene Intas | Assistant Art Director |
Crew | Rob Prolifero | Carpenter |
Sound | Julian Ellingworth | Sound Mixer |
Sound | Jacqui Fine | Assistant Sound Editor |
Crew | Nick Bell | Stunts |
Crew | Jamie Hunt | Stunt Double |
Art | Alan Fleming | Construction Manager |
Art | Sue Hoyle | Set Dresser |
Art | Steve Smith | Sign Painter |
Sound | Amanda Robson | Assistant Sound Editor |
Crew | Richard Boué | Stunt Double |
Crew | Sandy Robinson | Stunt Double |
Camera | Danny Batterham | Camera Operator |
Camera | Ken George | Still Photographer |
Art | Dale Duguid | Art Direction |
Sound | Phil Tipene | Boom Operator |
Camera | Geoffrey Simpson | Camera Operator |
Camera | Jo Murphy | Clapper Loader |
Crew | Mark Whitehair | Stunt Double |
Camera | Rodney Bolton | Assistant Grip |
Editing | Julia Gelhard | First Assistant Editor |
Crew | Chris Sperou | Stunt Double |
Lighting | Werner Gerlach | Electrician |
Lighting | Graeme Shelton | Best Boy Electric |
Camera | Robbie Gribble | Still Photographer |
Writing | William Kelley | Screenplay |
Sound | Frank Strangio | Music |
Directing | Lee Philips | Director |
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